Roberta Mameli
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Special offer. Stradella: Il Trespolo tutore
Riccardo Novaro (Trespolo), Roberta Mameli (Artemisia), Silvia Frigato (Ciro), Luca Cervoni (Simona), Rafał Tomkiewicz (Nino), Paola Valentina Molinari (Despina), Ensemble Mare Nostrum, Andrea De Carlo
The splendid bass Riccardo Novaro brings rich tone, perfect timing and a real sense of character to the title role, a truly commanding performance...De Carlo’s pacing is exemplary, though he... —
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Opera, February 2021, Disc of the Month
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Hasse: Piramo e Tisbe
Akademie für Alte Musik Berlin, Anett Fritsch (Piramo), Roberta Mameli (Tisbe), Jeremy Ovenden (Il Padre)
Akademie für Alte Musik Berlin, Bernhard Forck
The piece has been recorded before by La Stagione Frankfurt, but this new version is better, with livelier tempi and superb singing from two bright-voiced sopranos, Anett Fritsch and Roberta... —
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BBC Music Magazine, December 2025, Opera & Stage Choice
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International Classical Music Awards, 2026, Nominated - Opera
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Giovanni Battista Bononcini: Polifemo
Ensemble 1700, João Fernandes (bass), Helena Rasker (alto), Bruno de Sá (countertenor), Maria Ladurner (soprano), Roberta Invernizzi (soprano), Roberta Mameli (soprano), Liliya Gaysina (soprano), Dorothee Oberlinger
Bononcini knew his music theatre craft...Oberlinger is well served by a committed ensemble of singers, notably the Dutch contralto Helena Rasker who as Glauco has the kind of chest register... —
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Record Review, 19th September 2020, Record of the Week
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Opus Klassik, 2021, Winner - World Premiere Recording
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Monteverdi: Il ritorno d'Ulisse in patria
RecommendedAnizio Zorzi Giustiniani (Ulisse), Josè Maria Lo Monaco (Penelope), Roberta Mameli (Minerva), Makoto Sakurada (Telemaco, Eurimaco), Salvo Vitale (Nettuno), Giorgia Milanesi (Giunone) with Francesca Cassinari, Vincenzo Di Donato, Marco Bussi, Alessio Tossi, Roberto Balconi, Paolo Antognetti, Francesca...
this account by La Veneziana is one of the more lively versions on CD...Makoto Sakurada (who plays Telemaco and Eurimaco) has the finest voice; strong, responsive and agile...It is therefore... —
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Building a Library, June 2015, First Choice
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Gramophone Magazine, August 2012, Editor's Choice
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[Mameli] provides an object lesson in how vocal precision need not inhibit passionate commitment. Her clarity and response to the texts is exceptional: the first phrase of Caccini’s Dolcissimo... —
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Diapason d’Or, December 2017, Nouveauté
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Special offer. The Ghosts of Hamlet
Lost Arias From Italian Baroque Operas
Roberta Mameli (soloist), Le Concert de l’Hostel Dieu, Franck-Emmanuel Comte
Stonking performances and brilliant programming unite in this solo album...This recording brings together numbers from various settings of Zeno’s Ambleto. Roberta Mameli’s singing burns with... —
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BBC Music Magazine, April 2025, Opera & Stage Choice
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Special offer. Vivaldi: Orlando Furioso, RV728
Riccardo Novaro (Orlando), Romina Basso (Alcina), Gaëlle Arquez (Bradamante), Roberta Mameli (Astolfo), Delphine Galou (Medoro), David DQ Lee (Ruggiero) & Teodora Gheorghiu (Angelica)
Modo Antiquo, Federico Maria Sardelli
Only two of the opera's three acts have survived...Sardelli's reconstruction is thoroughly convincing and he has assembled a first-rate cast to prove it...Notwithstanding incompleteness, this... —
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Luzzaschi: Concerto delle Dame
Roberta Mameli, Emanuela Galli, Francesca Cassinari (sopranos)
La Venexiana, Claudio Cavina (direction)
this is music of intimate emotion and subtle embellishment, with two or three voices intertwining above an instrumental accompaniment – in stark contrast to the usual a cappella style of madrigal... —
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Special offer. Vivaldi: Il Farnace, RV711
Mary-Ellen Nesi (Farnace), Delphine Galou (Berenice), Sonia Prina (Tamiri), Loriana Castellano (Selinda), Emanuele D’Aguanno (Pompeo), Roberta Mameli (Gilade), Magnus Staveland (Aquilio), Giulia Nuti (Harpsichord), Simone Vallerotonda (Tiorba e chitarra barocca) & Michele Tazzari (Bass continuos)
Orchestra...
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’Round M: Monteverdi Meets Jazz
Recorded in Mondovì (Sala Ghisleri), Italy, in November 2009
Roberta Mameli (soprano). Also featuring Emanuele Cisi (soprano and tenor saxophones), Fausto Beccalossi (accordion), Alberto Lo Gatto (double bass) & Donato Stolfi (drums)
La Venexiana, Claudio Cavina
The effect is strangely touching...Throughout, Roberta Mameli and saxophonist Emanuele Cisi are superb. —
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