Schaghajegh Nosrati
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[Concerto] This is, in other words, a performance that highlights the work’s lyricism more than its fervor, its secrets more than its proclamations. Add to this her expert delineation of dense... —
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Her reading of the whole movement [the opening of Hob.XVI:52] abounds in sharp yet never overstated dynamic contrasts and a feeling of urbane exuberance. She shapes the central slow movement... —
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If I had to describe Nosrati’s Bach I would use words such as fluid, gentle, and sober. These are not bad qualities in many moments throughout this recital—movements such as the pastoral D-Major... —
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Anton Rubinstein: Piano Concertos No.2 and No.4
Schaghajegh Nosrati (piano), Rso Berlin, Robert Farkas
Nosrati plays with affection and makes the most of the simple song-like theme in the slow movement [of No. 4], with limpid tone, and a sure feeling for rubato...There’s a good relationship between... —
