Masato Suzuki
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JS Bach - Sonatas for Viola Da Gamba and Harpsichord
Antoine Tamestit (viola), Masato Suzuki (harpischord)
Suzuki’s phrases are stunningly articulated, teeming with nuance and character…Tamestit makes a luscious sound too. His playing is bold and elegant – everything you would expect from an international... —
Awards:
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International Classical Music Awards, 2019, Nominee - Baroque Instrumental
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Suzuki’s manner is bright and muscular, and he has the ability to make the longest pieces convincingly cohere – useful when the preludes attain something approaching full sonata form. —
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There is nothing extravagant, idiosyncratic or exceptional about this recording except its infallible good taste….The results, even-tempered and sensible, are a recording that can serve as a... —
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JS Bach: Concertos for Two Harpsichords
Masaaki Suzuki (harpsichord) & Masato Suzuki (harpsichord)
Bach Collegium Japan
Masaaki imagines these works very much as chamber creations but presented with a warm resonance which will suit almost all constituencies...both Masaaki and Masato rejoice in the simple elegance... —
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J.S. Bach: Concertos for Harpsichord & Strings, Vol. 2
Masato Suzuki (harpsichord), Bach Collegium Japan
Masato Suzuki proves an ideal keyboard soloist, balancing moments of zestful virtuosity with some elegant inequality in the passagework. Willem Kroesbergen’s copy of a contemporary Couchet harpsichord... —
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Soloist Suzuki, with the lively and responsive partnership of the Bach Collegium Japan provide invigorating performances. Their playing of the faster outer movements pulsates with energy. —
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Mozart: Stadler Quintet & Clarinet Concerto
Dirk Altmann (clarinet), Masato Suzuki (piano), Ludwig Chamber Players, SWR Symphonieorchester
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Roesgen-Champion: Concertino for Harpsichord and Orchestra No. 1
Masato Suzuki (harpsichord), Swiss Orchestra, Lena-Lisa Wüstendörfer
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The performances are typically classy, and punctuated by a selection of Daquin’s ‘Noels’ for solo organ, played with peppery registrations by Suzuki. —
