Verbum caro factum est
A Christmas Greeting
Bach Collegium Japan, Masaaki Suzuki
The performances are typically classy, and punctuated by a selection of Daquin’s ‘Noels’ for solo organ, played with peppery registrations by Suzuki.
Verbum caro factum est
A Christmas Greeting
Bach Collegium Japan, Masaaki Suzuki
Purchase product
The performances are typically classy, and punctuated by a selection of Daquin’s ‘Noels’ for solo organ, played with peppery registrations by Suzuki.
About
Bach Collegium Japan and Masaaki Suzuki have sung of the wonders of Christmas a number of times, in Bach’s cantatas and Christmas Oratorio as well as in Handel’s Messiah. Here, instead, we hear the choir a cappella in a selection of classic Christmas carols. Masato Suzuki, son of the ensemble’s founder and director, has selected some of the best-loved songs of Christmas, such as Adeste fideles and Silent Night, as well as less familiar hymns, arranging them especially for these singers. A consummate organist, he also performs a number of Louis-Claude Daquin’s noëls variés – keyboard variations on Christmas songs which became a highly popular genre in 18th-century France.
Contents and tracklist
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Aki Matsui (soprano)
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Aki Matsui (soprano)
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Masato Suzuki (organ)
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Masato Suzuki (organ)
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Recorded: February and March 2018
- Recording Venue: Kobe Shoin Women's University Chapel
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Bach Collegium Japan Chorus
- Masaaki Suzuki
- Aki Matsui (soprano), Hiroya Aoki (countertenor), Toru Kaku (bass)
Awards and reviews
Christmas Issue 2018
The performances are typically classy, and punctuated by a selection of Daquin’s ‘Noels’ for solo organ, played with peppery registrations by Suzuki.
December 2018
The highlight is Masaaki Suzuki’s beautiful performance, at the organ of numbers from Louis-Claude Daquin’s Livre des Noëls pour l’orgue et le clavecin. Scattered throughout a disorderly sequence, they quickly become islands of nourishment.
December 2018
Diction and pronunciation are phenomenally good.
Classical CD Review February 2019
Engineers have captured an appropriately rich, resonant sound