Jean Teitgen
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Debussy: Pelléas et Mélisande
RecommendedJulien Behr (Pelléas), Vannina Santoni (Mélisande), Alexandre Duhamel (Golaud), Marie-Ange Todorovitch (Geneviève), Jean Teitgen (Arkel), Hadrien Joubert (Yniold)
Les Siècles, Chœur de l'Opéra de Lille François-Xavier Roth
It’s like listening in black and white rather than colour. The music’s generally soft-toned orchestral landscape is both vivid and beautifully shaded...sensitively played and paced under Roth’s... —
Awards:
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Opera, April 2022, Disc of the Month
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Presto Recording of the Week, 11th March 2022
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Gramophone Awards, 2022, Finalist - Opera
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Presto Recordings of the Year, Finalist 2022
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International Classical Music Awards, 2023, Winner - Opera
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The Guardian Classical Albums of the Year, 2022
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Gramophone Magazine, Critics' Choice 2022
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BBC Music Magazine Awards, 2023, Nominated - Opera
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Ravel: L'heure Espagnole & Boléro
RecommendedIsabelle Druet (Concepción), Julien Behr (Gonzalve), Loïc Félix (Torquemada), Thomas Dolié (Ramiro), Jean Teitgen (Don Iñigo Gomez), Les Siècles, François-Xavier Roth
Ravel's sense of instrumental characterisation is crucial, and the results are delectable. All the instruments used are listed in the booklet alongside their players. But the voices are just... —
Awards:
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Presto Recording of the Week, 16th June 2023
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Gramophone Magazine, August 2023, Editor's Choice
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Presto Recordings of the Year, Finalist 2023
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International Classical Music Awards, 2024, Winner - Assorted Programs
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Special offer. Saint-Saëns: Ascanio
Jean-Francois Lapointe, Bernard Richter, Eve-Maud Hubeaux, Chœur et Orchestre de la Haute École de Musique de Genève, Guillaume Tourniaire
It would be good to report that this is a lost masterpiece. It’s not, but it is a carefully crafted late version of the form that Meyerbeer had invented for Paris…Competent to a fault, Saint-Saëns... —
Awards:
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Gramophone Magazine, December 2018, Editor's Choice
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BBC Music Magazine, January 2019, Opera Choice
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Special offer. Lully: Persée 1770
Mathias Vidal, Hélène Guilmette, Katherine Watson, Tassis Christoyannis, Jean Teitgen, Chantal Santon-Jeffery, Marie Lenormand, Cyrille Dubois, Marie Kalinine, Thomas Dolié, Zachary Wilder
Le Concert Spirituel, Hervé Niquet
Hervé Niquet’s musical direction is admirably fluent. The orchestral playing and choral singing are magnificent throughout in a suitably resonant recording…Katherine Watson as Mérope stands... —
Awards:
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Presto Editor's Choice, April 2017
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Record Review, 25th March 2017, Recording of the Week
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Special offer. Saint-Saëns: Proserpine
Véronique Gens (Proserpine), Marie-Adeline Henry (Angiola), Frédéric Antoun (Sabatino), Andrew Foster-Williams (Squarocca), Jean Teitgen (Renzo)
Munchner Rundfunkorchester, Flemish Radio Choir, Ulf Schirmer
Frédéric Antoun is a bright, not exactly nuanced Sabatino and Jean Teitgen a warm and sympathetic Renzo, but the main prize goes to Véronique Gens for her utterly superb singing of the title... —
Awards:
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International Classical Music Awards, 2018, Winner - Opera
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Ropartz: Symphony No. 3
Isabelle Philippe (soprano), Elodie Mechain (contralto), Marc Laho (tenor), Jean Teitgen (bass)
Orchestre Symphonique Region Centre-Tours, Ensemble Vocal Erik Satie, Ensemble Vocal Jacques Ibert, Ensemble Vocal Opus 37, Jean-Yves Ossonce
This new performance is well played...and the four vocal soloists are all satisfactory. The choral writing is often very demanding and if the choirs here are not perfect, they sing with conviction...... —
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Special offer. Joncières: Dimitri
Gabrielle Philiponet (Marina), Jennifer Borghi (Vanda), Nora Gubisch (Marpha), Philippe Talbot (Dimitri), Andrew Foster-Williams (Le Comte de Lusace), Nicolas Courjal (L’Archevêque Job), Julien Véronèse (Le Prieur), Jean Teitgen (Le Roi de Pologne), Joris Derder (Le Chef des Bohémiens / Un Officier),...
Joncières had clearly absorbed what he could from Meyerbeer, Weber, Gounod, Verdi and others...This performance manifestly believes in Dimitri, and the fusion of fine, fervent singing and vivid,... —
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Méhul: Adrien
Orfeo Orchestra, György Vashegyi, Philippe Talbot, Marc Barrard, Jean Teitgen, Gabrielle Philiponet, Philippe Do, Nicolas Courjal, Purcell Choir, Jennifer Borghi, Marc Barrd, Katalin Szutrély, Jennifer Boghi
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Desmarest: Vénus & Adonis
Karine Deshayes (mezzo-soprano), Anna-Maria Panzarella (soprano), Ingrid Perruche (soprano), Sébastien Droy (tenor), Henk Neven (baritone), Jean Teitgen (bass) & Anders J. Dahlin (countertenor)
Les Talens Lyriques, Christophe Rousset
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Special offer. Mozart: Les Mystères d’Isis, Paris, 1801
adapted by Ludwig Wenzel Lachnith after Die Zauberflöte & other Mozart operas; French text by Étienne Morel de Chédeville
Chantal Santon-Jeffery (Pamina), Marie Lenormand (Mona), Renata Pokupić (Myrrène), Jean Teitgen (Zarastro), Tassis Christoyannis (Bochoris), Sébastien Droy (Isménor), Camille Poul (1ère Dame, 1ère Suivante), Jennifer Borghi (2e Dame, 2e Suivante), Élodie Méchain (3e Dame, 3e Suivante), Mathias Vidal...
Fasolis and his musicians give a fleetfooted performance, which is more than this mash-up probably received in its day, and most voices are well cast: Chantal Santon-Jeffery is a fresh-sounding... —