Mauro Peter
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New. Mahler: Lieder der Jugend
Songs of Youth and Awakening
Katharina Konradi (soprano), Sophie Rennert (mezzo), Mauro Peter (tenor), Simon Keenlyside (baritone), Joseph Middleton (piano)
Keenlyside navigates masterfully through idyllic happiness and despair... But what makes this release exceptional is how the singing of his three younger and less familiar colleagues holds its... —
Awards:
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BBC Music Magazine, August 2026, Vocal Choice
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Berg: Wozzeck
RecommendedChristian Gerhaher (Wozzeck), Brandon Jovanovich (Drum Major), Mauro Peter (Andres), Wolfgang Ablinger-Sperrhacke (Captain), Lars Woldt (Doctor) & Gun-Brit Barkmin (Marie)
Chor der Oper Zurich & Philharmonia Zurich, Fabio Luisi (conductor) & Andreas Homoki (stage director)
While the Lieder-like beauty of Gerhaher’s singing Is matchless – he can act too – this is no star vehicle. It is ensemble work of the highest order…the relationships are brilliantly drawn,... —
Awards:
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BBC Music Magazine Awards, 2017, DVD/Blu-ray Winner
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Gramophone Magazine, November 2016, DVD/Blu-ray of the Month
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Gramophone Awards, 2017, Winner - Opera
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International Classical Music Awards, 2017, Winner - Video Performance
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Special offer. Hans Sommer: Orchestral Songs
RecommendedMojca Erdmann, Anke Vondung, Mauro Peter, Benjamin Appl, Rundfunk-Sinfonieorchester Berlin, Guillermo García Calvo
The RundfunkSinfonieorchester Berlin sounds rich and glossy, with four strong soloists. Yet I was repeatedly left with the sensation of a composer trying too hard. —
Awards:
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Presto Recordings of the Year, Finalist 2022
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Presto Editor's Choice, November 2022
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Opus Klassik Awards, 2023, Nominated - Solo Vocal
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International Classical Music Awards, 2024, Nominated - Premiere Recordings
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Special offer. Berg: Wozzeck
RecommendedChristian Gerhaher (Wozzeck), Brandon Jovanovich (Drum Major), Mauro Peter (Andres), Wolfgang Ablinger-Sperrhacke (Captain), Lars Woldt (Doctor) & Gun-Brit Barkmin (Marie)
Chor der Oper Zurich & Philharmonia Zurich, Fabio Luisi (conductor) & Andreas Homoki (stage director)
While the Lieder-like beauty of Gerhaher’s singing Is matchless – he can act too – this is no star vehicle. It is ensemble work of the highest order…the relationships are brilliantly drawn,... —
Awards:
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BBC Music Magazine Awards, 2017, DVD/Blu-ray Winner
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Gramophone Magazine, November 2016, DVD of the Month
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Gramophone Awards, 2017, Winner - Opera
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International Classical Music Awards, 2017, Winner - Video Performance
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Mauro Peter has the kind of Dichterliebe voice I hear in my mind’s ear: fresh, youthful, evenly produced, with mellifluousness balanced by a touch of metal...In symbiotic accord with Helmut... —
Awards:
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Gramophone Magazine, February 2017, Editor's Choice
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Gramophone Awards, 2017, Shortlisted - Solo Vocal
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Wagner: Piano Sonatas & Lieder
Tobias Koch (pianoforte & Leitung), Mauro Peter (tenor) & Peter Schoene (bass)
Maenner-Doppelquartett des Madrigalchors der Hochschule für Musik und Theater Muenchen
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he sings this selection of Schubert's Goethe settings with keen attention to detail, youthful spontaneity, and an ample, attractive sound that is reminiscent of the fine-grained tone of baritone... —
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Beethoven: Symphony No. 9 & Brahms: Nänie
Mauro Peter (tenor), Hanno Müller-Brachmann (bass baritone), Ekaterina Semenchuk (mezzo-soprano), Rachel Harnisch (soprano)
Luzerner Sinfonieorchester, Zürcher Sing-Akademie, James Gaffigan
Gaffigan is meticulous in his observance of the composer’s dynamic markings…The drama in the finale is vividly captured by Gaffigan. His tempo for the Symphony’s slow movement, too, is ideal,... —
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Braunfels: Verkuendigung
Juliane Banse, Janina Baechle, Vanessa Goikoetxea (soprano), Hanna Schwarz (alto), Matthias Klink, Mauro Peter (tenore), Adrian Eröd (baritone), Robert Holl, Johannes Stermann (bass)
Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Ulf Schirmer
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Lachner, F: Catharina Cornaro
Kristiane Kaiser, Daniel Kirch, Mauro Peter, Simon Pauly, Christian Tschelebiew
Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Ralf Weikert
The score’s final scene contains some its most engaging music…Elsewhere the easy melodies flow in a musical language that offers an appealing mixture of early grand opera and Weber and Schubert…Kristiane... —