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Lachner, F: Catharina Cornaro

Kristiane Kaiser, Daniel Kirch, Mauro Peter, Simon Pauly, Christian Tschelebiew

Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Ralf Weikert

Lachner, F: Catharina Cornaro
The score’s final scene contains some its most engaging music…Elsewhere the easy melodies flow in a musical language that offers an appealing mixture of early grand opera and Weber and Schubert…Kristiane...

Lachner, F: Catharina Cornaro

Kristiane Kaiser, Daniel Kirch, Mauro Peter, Simon Pauly, Christian Tschelebiew

Chor des Bayerischen Rundfunks & Münchner Rundfunkorchester, Ralf Weikert

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This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
The score’s final scene contains some its most engaging music…Elsewhere the easy melodies flow in a musical language that offers an appealing mixture of early grand opera and Weber and Schubert…Kristiane...

About

At a time when the majority of German composers turned from the opera to the singspiel, Franz Lachner continued the tradition of the grand historical opera with Catharina Cornaro. The once successful opera, last performed in Munich in 1903, was forgotten for many decades, but a few years ago the editor Volker Tosta of Stuttgart prepared a new edition of this work, its first published version, especially for the concert performance by the Munich Radio Orchestra. The action of the tragic opera is based on the true-life story of the Queen of Cyprus. It is hard to believe that this musically appealing work, which captivated the audience at Munich's Prince Regent Theater already with its highly atmospheric overture during the performance on which this CD is based, ever could be forgotten. Max Zenger's Geschichte der Munchner Oper of 1923 documents the groundbreaking effect of this opera when it states that Catharina Cornaro had "quite literally become Munich's hallmark, like the two towers of the Cathedral of Our Lady."

Contents and tracklist

Overture
Track length6:26
Act I: Ein Freudentag voll Lust und Glanz
Track length2:21
Act I: Mein Marco
Track length7:21
Act I: Mir leben auf die Tage entschwund'ner Lebenslust
Track length4:22
Act I: Signor, ein Fremder will euch sprechen
Track length8:16
Act I: Finale. Ein Freudentag voll Lust und Glanz
Track length6:54
Act II: Introduction
Track length0:49
Act II: Blickt auf mit Vertrauen
Track length2:25
Act II: Auf immer getrennt
Track length8:58
Act II: Dein Haupt schmückt eine Krone
Track length4:00
Act II: Wie? Hab' ich recht verstanden?
Track length18:07
Act III: Introduction
Track length3:29
Act III: Niemals auf dem Erdenrund blüte eine schönere Braut
Track length2:59
Act III: Wohl dir!
Track length7:50
Act III: Hoch lebe Zyperns Königin
Track length1:56
Act III: Hier an dieser Stelle kämpft ich in der Nacht
Track length7:50
Act III: Wenn sie zum Altäre treten
Track length9:14
Act IV: Entr'act
Track length5:20
Act IV: Zum Heil hat uns Venedig dich gesandt
Track length7:01
Act IV: Catharina, meine teure Gattin
Track length10:24
Act IV: Oh Herr!
Track length7:01
Act IV: Unglücklicher, was suchst du hier
Track length16:05
Act IV: Auf zum Sternenthrone schwingt sich sein Geist
Track length2:39

Awards and reviews

Awards Issue 2018

The score’s final scene contains some its most engaging music…Elsewhere the easy melodies flow in a musical language that offers an appealing mixture of early grand opera and Weber and Schubert…Kristiane Kaiser is persuasive in Catharina’s music, and Daniel Kirch deal with the challenges of Marco well – it’s one of those tricky roles, by the sound of it, that sits between lyricism and proto-Heldentenor heroics.

December 2018

Lachner proves to be an entirely skilful composer, well able to mount a piece of the scale of a French grand opéra in a musical styles that owes a good deal to such figures as Weber and Mendelssohn…Kaiser is effective in the title role, though ideally a touch more weight is needed…Kirch handles the role of Catharina's true love Marco with plenty of heft and some panache...With a first-rate orchestra plus a musicianly radio choir at his disposal, the conductor Ralf Weikert makes a good sales pitch for this forgotten piece.
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