Terry Wey
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Missa Domine a lingua dolosa is based on Padovano’s motet written in the unusual yet expressive Aeolian mode. It’s a low, mellow setting, which clearly inspires the singers of Cinquecento. —
Awards:
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Gramophone Magazine, June 2024, Editor's Choice
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International Classical Music Awards, 2025, Nominated - Early Music
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Special offer. Steffani: Niobe Regina di Tebe
Karina Gauvin (Niobe), Philippe Jaroussky (Anfione), Amanda Forsythe (Manto), Aaron Sheehan (Clearte), Terry Wey (Creonte), Jesse Blumberg (Poliferno), Colin Balzer (Tiberino) & José Lemos (Nerea)
Boston Early Music Festival Orchestra, Paul O’Dette and Stephen Stubbs
it is a scrupulously detailed, slow-burning performance with an outstanding viol consort...The supporting roles are strongly cast...Jaroussky is at his best in music of penetrating sweetness... —
Awards:
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Gramophone Magazine, March 2015, Disc of the Month
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Diapason d’Or de l’Année, 2015, Winner - Opéra
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New. Georg Philipp Telemann: Sieg der Schönheit
Akademie für Alte Musik Berlin, Michael Hofstetter, Lydia Teuscher (soprano), Sunhae Im (soprano), Anna Willerding, Emilie Renard, Dominik Koninger, Terry Wey, Ludwig Obst, Johannes Stermann, Dietrich Henschel (baritone), Marko Pantelić
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Special offer. Handel: Faramondo
Max Emanuel Cencic (Faramondo), Philippe Jaroussky (Adolfo), Sophie Karthäuser (Clotilde), Marina de Liso (Rosimonda), Xavier Sabata (Gernando), Terry Wey (Childerico), In-Sung Sin (Gustavo), Fulvio Bettini (Teobaldo)
Choeur de la Radio Suisse, Lugano & I Barocchisti, Diego Fasolis
…overall a decent account is given of this worthwhile rarity. —
Awards:
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Gramophone Magazine, July 2009, Editor's Choice
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JS Bach: Missæ Breves complete recordings BWV 232-236
RecommendedEnsemble Pygmalion, Raphaël Pichon
While several one-to-a-part readings can bring a chamber-like intimacy, you get the best of all worlds here: red-blooded warmth, intense coloration, grandeur and crackling vigour and not a scintilla... —
Awards:
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Building a Library, November 2016, First Choice
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Pace e Guerra
Arias for Bernacchi
Terry Wey (countertenor), Vivica Genaux (mezzo), Valer Sabadus (countertenor)
Bach Consort Wien, Ruben Dubrovsky
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New. In the Heat of Classics
Thomas Adès (piano), Dame Felicity Lott (soprano), Terry Wey (countertenor), Paul O'Dette (lute), Victoria de los Angeles (soprano), Susan Graham (mezzo-soprano), Malcolm Martineau (piano), Viktoria Postnikova (piano), Christian Tetzlaff (violin), Marcel Reyans (tenor), Nicolas Courjal (bass), Samuel...
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J. S. Bach: Ein Herz, das seinen Jesum lebend weiß, BWV 134
Orchester der J. S. Bach-Siftung, Terry Wey (solo, soloist), Daniel Johannsen (soloist), Orchester der J.S. Bach-Stiftung, Chor der J. S. Bach-Stiftung, Rudolf Lutz
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Bach: Cantatas, Vol. 21
Dorothee Mields (soprano), Klaus Mertens (bass), Bernhard Berchtold (tenor), Terry Wey (counter-tenor), Marianne Beate Kielland (alto), Daniel Johannsen (tenor), Dominik Wörner (bass), Markus Förster (counter-tenor), Matthias Helm (bass), Miriam Feuersinger (soprano)
Chor der J.S. Bach-Stiftung,...
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J.S. Bach: Cantatas, Vol. 24 (Live)
Georg Poplutz (tenor), Julia Doyle (soprano), Peter Kooij (bass), Muriel Schwarz, Bernhard Berchtold, Markus Volpert, Terry Wey, Klaus Mertens (bass-baritone), Daniel Johannsen (tenor), Ruth Sandhoff, Monika Mauch (soprano), Chor der J.S. Bach-Stiftung, Orchester der J.S. Bach-Stiftung, Rudolf Lutz
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