Marina Prudenskaja
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Verdi: Messa da Requiem
Krassimira Stoyanova (soprano), Marina Prudenskaja (mezzo), Charles Castronovo (tenor), Georg Zeppenfeld (bass)
Dresden Staatskapelle, Sächsischer Staatsopernchor Dresden, Christian Thielemann
We find Thielemann balancing the operatic and the ecclesiastical superbly, pacing Verdi’s score unerringly…while the conductor is superb in the more reflective passages of the work, he is no... —
Awards:
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International Classical Music Awards, 2019, Nominee - Choral
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Special offer. Dargomïzhsky: Rusalka
Evelina Dobraceva (soprano), Arutjun Kotchinian (bass), Vsevolod Grivnov (tenor), Marina Prudenskaja (mezzo-soprano), Elena Bryleva (soprano), Andrey Telegin (bass) & Martha Jurowski (soprano)
WDR Rundfunkchor Köln & WDR Rundfunkorchester Köln, Michail Jurowski
Recorded in Cologne with a cast steeped in the Russian idiom, this is a very welcome recording...Evelina Dobraceva...sings the title with rich-toned flexibility, and Vsevolod Grivnov sings the... —
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Reznicek - Symphony No. 1
Marina Prudenskaja (mezzo-soprano)
Brandenburgisches Staatsorchester Frankfurt, Frank Beermann
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Verdi: Requiem
Krassimira Stoyanova (soprano), Marina Prudenskaja (mezzo-soprano), Saimir Pirgu (tenor) & Orlin Anastassov (baritone)
Chor & Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
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Verdi: Requiem
Krassimira Stoyanova (soprano), Marina Prudenskaja (mezzo-soprano), Saimir Pirgu (tenor) & Orlin Anastassov (bass)
Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
the soloists form a worthwhile and generally high quality quartet. Krassimira Stoyanova's soprano is even and expressive, and she brings real urgency to proceedings...[Prudenskaya] produces... —
Awards:
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Gramophone Magazine, January 2015, DVD of the Month
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Verdi: Requiem
Krassimira Stoyanova (soprano), Marina Prudenskaja (mezzo-soprano), Saimir Pirgu (tenor) & Orlin Anastassov (bass)
Chor und Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
[Jansons's] Requiem is a series of coups d'etat in which the returns of the actual 'Dies irae' or the launch of 'Rex tremendae majestatis' are exciting aural shocks. He also devotes much time... —
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Special offer. Wagner: Der fliegende Holländer
Juha Uusitalo (Der Hollander), Robert Lloyd (Daland), Catherine Naglestad (Senta), Marco Jentzsch (Erik), Marina Prudenskaja (Mary), Oliver Ringelhahn (Der Steuermann)
Chorus of The Netherlands Opera & Netherlands Philharmonic Orchestra, Harmut Haenchen (conductor) & Martin Kušej (director)
Juha Uusitalo is a charismatic Dutchman vocally, if more demonic than romantic —
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Special offer. Wagner: Der fliegende Holländer
Juha Uusitalo (Der Hollander), Robert Lloyd (Daland), Catherine Naglestad (Senta), Marco Jentzsch (Erik), Marina Prudenskaja (Mary), Oliver Ringelhahn (Der Steuermann)
Chorus of The Netherlands Opera & Netherlands Philharmonic Orchestra, Harmut Haenchen (conductor) & Martin Kušej (director)
Juha Uusitalo is a charismatic Dutchman vocally, if more demonic than romantic —
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Mariss Jansons conducts Brahms & Janacek
Live Recording from The KKL Concert Hall, Lucerne, 2012
Tatiana Monogarova (soprano), Marina Prudenskaja (mezzo-soprano), Ludovit Ludha (tenor) & Peter Mikuláš (bass)
Symphonieorchester des Bayerischen Rundfunks, with Chor des Bayerischen Rundfunks, Mariss Jansons
The Brahms Symphony in Jansons's hands is certainly an idyll, darker passages come and go without disturbing the orchestra's mellifluous warmth or Jansons's exquisite phrasings...Could more... —
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Mariss Jansons conducts Brahms & Janacek
Live Recording from The KKL Concert Hall, Lucerne, 2012
Tatiana Monogarova (soprano), Marina Prudenskaja (mezzo-soprano), Ludovit Ludha (tenor) & Peter Mikuláš (bass)
Symphonieorchester des Bayerischen Rundfunks, with Chor des Bayerischen Rundfunks, Mariss Jansons
The Brahms Symphony in Jansons's hands is certainly an idyll, darker passages come and go without disturbing the orchestra's mellifluous warmth or Jansons's exquisite phrasings...Could more... —
