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Special offer. Dargomïzhsky: Rusalka

Evelina Dobraceva (soprano), Arutjun Kotchinian (bass), Vsevolod Grivnov (tenor), Marina Prudenskaja (mezzo-soprano), Elena Bryleva (soprano), Andrey Telegin (bass) & Martha Jurowski (soprano)

WDR Rundfunkchor Köln & WDR Rundfunkorchester Köln, Michail Jurowski

Dargomïzhsky: Rusalka
Recorded in Cologne with a cast steeped in the Russian idiom, this is a very welcome recording...Evelina Dobraceva...sings the title with rich-toned flexibility, and Vsevolod Grivnov sings the...

Special offer. Dargomïzhsky: Rusalka

Evelina Dobraceva (soprano), Arutjun Kotchinian (bass), Vsevolod Grivnov (tenor), Marina Prudenskaja (mezzo-soprano), Elena Bryleva (soprano), Andrey Telegin (bass) & Martha Jurowski (soprano)

WDR Rundfunkchor Köln & WDR Rundfunkorchester Köln, Michail Jurowski

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Recorded in Cologne with a cast steeped in the Russian idiom, this is a very welcome recording...Evelina Dobraceva...sings the title with rich-toned flexibility, and Vsevolod Grivnov sings the...

About

Almost forgotten today, Alexander Dargomïzhsky was a major figure in the early history of Russian music. The opera Rusalka was where Dargomïzhsky discovered his own tonal language.

The text is expanded from Alexander Pushkin's unfinished verse drama into a passionate love story of frivolity, jealousy and revenge.

Dargomïzhsky was the first composer to set a literary drama to music by using the written text. He goes against the conventional divisions into arias, duets and ensembles. Instead he looked to explore the emotion of the original words. "I want the sound to express the word directly. I want the truth"

Contents and tracklist

Overture
Track length9:00
Act I: Aria: Ach, so seid ihr nun, alle jungen Madchen (Mullers)
Track length4:14
Act I: Terzett: Still! Ich hor' ihn kommen, es ist sein Pferd… (Natascha, Muller, Furst)
Track length13:52
Act I: Ach mein Herz du, ach mein Herz du (Chorus)
Track length6:57
Act I: Duet: Mich qualen dustree Gedanken, wie wird so bang (Furst, Natascha)
Track length11:13
Act I: Duet: Ei, ei, ei, ei! Was seh' ich! (Furst, Natascha)
Track length8:30
Act I: Finale: Ach, ihr Felder, meine Felder, um euch schone (Muller, Natascha, Chorus)
Track length6:39
Act II: In dem grossen hellen Zimmer, bei dem Fest in (Furstin, Furst, Chorus)
Track length4:37
Act II: Aria: Ihr, meiner Kindheit Gefahrtinnen, lebt wohl (Furstin, Furst, Chorus)
Track length6:43
Act II: Recitative: So kommt herein! Ja, wollen wir nicht endlich (Chorus)
Track length4:06
Act II: Slawischer Tanz
Track length4:25
Act II: Zigeunertanz
Track length3:24
Act II: Finale: Warum seid, schone Madchen (Natascha, Furstin, Furst, Olga, Brautwerber, Chorus)
Track length13:53
Act III: Aria: Horch, ist das nicht sein Horn? Nein, nein er (Furstin)
Track length8:40
Act III: Recitative: Ach immer weint sie nur, die Arne tut mir leid (Olga, Furstin, Jager)
Track length5:00
Act III: Die Freiheit geneissend, verlassend den Grund (Chorus)
Track length3:48
Act III: Cavatina: Warum nur zeiht es immer wieder mich (Furstin)
Track length6:05
Act III: Duet: Was ist geschehen? Plotzlich, verwelkt das Grun (Chorus, Furst, Muller)
Track length12:18
Act IV: Tanze der Wassernixen
Track length6:59
Act IV: Lasst sein das Spinnen, Schwestem, es wird (Natascha)
Track length11:12
Act IV: Finale: Warum nur zieht es immer wieder mich mit (Furst, Furstin, Muller, Olga, Natascha, Tochter, Chorus)
Track length13:48

Awards and reviews

October 2010

Recorded in Cologne with a cast steeped in the Russian idiom, this is a very welcome recording...Evelina Dobraceva...sings the title with rich-toned flexibility, and Vsevolod Grivnov sings the high-lying part of her Prince with great fluency...and the score sounds compelling under the excellent baton of Michail Jurowski.

September 2010

The best of the singers is the mezzo, Marina Prudenskaja...Jurowski conducts in a way that suggests a close personal engagement and the Cologne orchestra plays well for him.

July/August 2010

Evelina Dobracheva...possesses a dark, dramatic, lyric spinto voice...The soft-grained bass of Arutyun Kotchinian fits the part of the Miller well...Marina Prudenskaya lavishes her velvety mezzo on the Princess's richly scored music...The WDR Köln Radio Orchestra plays with impressive gusto, guided by Jurowski, who knows just the right tempo to set.

January 2015

Dargomyzhsky’s opera Rusalka is scandalously neglected and this 2008 recording serves its cause magnificently. A credit to all concerned as this is the most rewarding opera recording I have heard for some time.
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