Javier Perianes
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Brahms: Trio Op. 114. Robert & Clara Schumann: Romances
Tabea Zimmermann (viola), Javier Perianes (piano), Jean-Guihen Queyras (cello)
With a dynamic palette that ranges from a whisper to a wail, the viola player and her superb, sensitive pianist Javier Perianes take us on an emotionally wrenching journey in just over five... —
Awards:
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Gramophone Magazine, June 2026, Editor's Choice
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Perianes' playing discovers Scarlatti's expressive diversity with intimacy and communicative warmth. —
Awards:
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Gramophone Magazine, October 2025, Editor's Choice
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International Classical Music Awards, 2026, Nominated - Baroque Instrumental
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everything comes dramatically together for Perianes in ‘El amor y la muerte’, the cycle’s longest and most substantial piece...Perianes’s inspired way with this movement plus his invigorating... —
Awards:
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International Classical Music Awards, 2025, Nominated - Solo Instrument
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New. Alma y Fuego
Pasión Vega (soloist), Javier Perianes (piano), Simón Bolívar Symphony Orchestra, Gustavo Dudamel
Falla originally conceived the vocal part for a cantaora (flamenco vocalist) like Marina Heredia, whose raw, earthy timbre helps to make Pablo Heras-Casado's recording so memorable...The Simón... —
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Playing on a glorious-sounding instrument made by Patrick Robin only last year, Zimmermann can occasionally sound a touch self-conscious in the more pointed phrasing. Perianes, however, brings... —
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He brings a thoughtfulness to the dramatic opening of the B flat minor Second Sonata and palpably enjoys the lyricism of the second theme. —
Awards:
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International Classical Music Awards, 2022, Nominated - Solo Instrument
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Where Alexander Melnikov chose a period Érard piano for book 2 of the Preludes, Javier Perianes plumps for a modern Steinway to complete the set with Book 1. Both approaches work, and Perianes... —
Awards:
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International Classical Music Awards, 2019, Nominee - Solo Music
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I really fell for Perianes’ playing here, I love that he embraces the breadth of that cadenza, he plays it as if it’s totally fresh like we’ve never heard those themes before … just gorgeous. —
Awards:
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Gramophone Magazine, July 2015, Editor's Choice
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You know you’re in safe hands the moment Perianes and his Steinway strike the first notes of the haunting and masterly Sonata in B flat, D960…wherever Schubert’s inspiration goes, Perianes follows... —
Awards:
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BBC Music Magazine, July 2017, Instrumental Choice
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What could be an exercise in comparison proves to be illuminating, shedding light on Ravel’s use of both piano and orchestra, for these are transformative mirrors. Crucially, the performances... —
Awards:
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Building a Library, November 2023, Recommended Recording
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