Jennifer Koh
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Anna Clyne: Mythologies
RecommendedIrene Buckley, Jennifer Koh (violin)
BBC Symphony Orchestra, Marin Alsop, Sakari Oramo, Andrew Litton, André de Ridder
Wildly exuberant, [Masquerade] suited its celebratory purpose to a T – and its live recording does likewise in opening this album of showstopping orchestral works...the album title Mythologies... —
Awards:
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Presto Editor's Choice, October 2020
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Presto Recordings of the Year, Finalist 2020
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this is an appealing and stimulating album, and the mounting disquiet that Iyer expresses so effectively in his music feels only more relevant today. —
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Tchaikovsky: Complete Works for Violin & Orchestra
Jennifer Koh (violin)
Odense Symphony Orchestra, Alexander Vedernikov
Koh’s sound is toasty warm, a golden darkness to her lower register, with lashings of vibrato. Her reading of the Concerto is expansive. Like the river in Winnie-the-Pooh’s Hundred Acre Wood,... —
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Limitless
Jennifer Koh (violin), Qasim Naqvi (synthesizer), Lisa Bielawa (soprano), Du Yun (voice), Tyshawn Sorey (glockenspiel), Nina C. Young (electronics), Vijay Iyer (piano), Missy Mazzoli (electronics)
It’s well worth spending time with this recording, Koh has collaborated with composers, who perform with her on this disc, to create a stimulating programme of duos inspired by topical social... —
Awards:
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The New York Times, Recordings of the Year 2019
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Awards:
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Grammy Awards, 64th Awards (2022), Winner - Best Classical Instrumental Solo
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Jennifer Higdon: The Singing Rooms
Jennifer Koh (violin)
Atlanta Symphony Orchestra & Chorus, Robert Spano
Robert Shaw's legacy in Atlanta of choral excellence is evident in these two premieres of works by composers with strong connections to that city's symphony and chorus...Spano focuses on forward... —
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The Essentials: Bach
Jenő Jandó (piano), Michael Unger (organ), Wolfgang Rübsam (organ), Clint van der Linde (counter-tenor), Joseph Banowetz (piano), Alexander Rudin (cello), János Sebestyén (piano), Lucy van Dael (violin), Bob van Asperen (harpsichord), Vladimir Feltsman (piano), Christoph Anselm Noll (harpsichord),...
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Koh opens with Bach’s Second Sonata, and the musing character of the opening Grave is effective and affecting from the first notes, with beautiful, varied tone and fluid vibrato..It's a similar... —
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The disc as a whole doesn't make a compelling statement but has its charms. Koh and Laredo duet beautifully in Bach. —
