Susan Chilcott
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Albéniz: Pepita Jiménez
Orquestra De Cambra Teatre Lliure, Susan Chilcott (soprano), Montserrat Pi, Francesc Garrigosa, Chœur d'Enfants de la Maîtrise de Badalona, Josep Pons
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Britten - The World of the Spirit
Cormac Rigby, Hannah Gordon (speakers), Martyn Hill (tenor), Pamela Helen Stephen (mezzo-soprano), Stephen Varcoe (baritone), Susan Chilcott (soprano)
BBC Philharmonic, Britten Singers, Richard Hickox
Hickox's performance of the Coplandesque AnAmerican Overture has exemplary polish, commitment and dash. The remaining items owe their revival to the efforts of Paul Hindmarsh.
Britten wrote... —Purchase product
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her strong, supple voice [is] packed with beauty, character and potential...Scratch away the loss and grief - a difficult job - and what you hear is a performance of fierce intelligence and... —
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Boesmans: Wintermärchen
Duesing, Chilcott, Kallisch, Johnson, Selig, Zednik, Kotilainen, Dane, Debski, Saunier, Aka Moon
Orchestre Symphonique et Choeurs de la Monnaie, Antonio Pappano
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Special offer. Susan Chilcott at La Monnaie
Susan Chilcott (soprano), with Claire Powell (Emilia), with Vladimir Galouzine (Otello), Tom Fox (Iago), Claire Powell (Emilia), Marten Smeding (Rodrigo), Kurt Streit (Cassio) and John Cheek (Lodovico), with Dale Duesing (Musiklehrer), with William Cochran (Peter)
Orchestre de La Monnaie, Antonio...
…Susan Chilcott's… Desdemona sounds all the more delicate opposite Galusin's rather unwieldy Otello, with some beautifully Italianate legato… The Grimes excerpts are restrained but not less... —
Awards:
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Opera, March 2009, Recording of the Month
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The Gift to be Free: songs by Aaron Copland
Voices, Volume 3
Susan Chilcott (soprano), Iain Burnside (piano)
In this excellent selection Susan Chilcott and Iain Burnside grasp the subtlety of Copland's idiom. The two sets of Old American Songs are rightly sung in an American accent in a range of styles... —
Awards:
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Gramophone Magazine, November 2003, Editor's Choice
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