Patricia Petibon
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Charles Koechlin: Symphony No. 1
Patricia Petibon (soprano), Württembergische Philharmonie Reutlingen, Ariane Matiakh
Absence of comparisons makes this release self-recommending, but those new to Koechlin’s orchestral music could not wish for a better introduction or more persuasive readings. —
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Special offer. Delibes: Lakmé
Natalie Dessay (Lakmé), Gregory Kunde (Gérald), José van Dam (Nilakantha), Delphine Haida (Mallika), Franck Leguérinel (Frederic), Patricia Petibon (Ellen), Xenia Konsek (Rose), Orchestre Du Capitole De Toulouse, Michel Plasson
Opera audiences in 19th-century Paris may never have visited India, but they loved to dream about it. After the successes enjoyed by Lespêcheurs de perles and Le roi de Lahore Delibes knew what... —
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Patricia Petibon's choice of arias by the three greatest of late 18th-century opera composers is tailor-made to display her range, in terms of both drama and sheer vocal compass. …her debut... —
Awards:
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BBC Music Magazine Awards, 2009, Opera Award Winner
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Special offer. Handel: Acis and Galatea
RecommendedSophie Daneman (Galatea), Paul Agnew (Acis), Alan Ewing (Polyphemus), Francois Piolino (Tenor), David Le Monnier (Baritone), Andrew Sinclair (Tenor), Joseph Cornwell (Coridon) & Patricia Petibon (Damon)
Les Arts Florissants, William Christie
William Christie's charming performance has fine instrumental playing. Paul Agnew's chesty Acis is a bit over-exaggerated, but Sophie Daneman's seductive Galatea and Alan Ewing's villainous... —
Awards:
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Building a Library, March 2000, First Choice
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Gramophone Awards, 2000, Winner - Baroque Vocal
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La traversée
Patricia Petibon (soprano), Cetra Barockorchester Basel, La Cetra Barockorchester Basel, Andrea Marcon
Awards:
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Opus Klassik Awards, 2023, Nominated - Female Singer of the Year & Solo Vocal
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Poulenc: Patricia Petibon
RecommendedPatricia Petibon (soprano)
Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi
Petibon brings an extra-terrestrial weightlessness to the 'Domine Deus'...and Järvi astutely manipulates Poulenc's distinctive instrumental timbres while sensitivitely cosseting his equally... —
Awards:
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Presto Recording of the Week, 25th November 2013
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Haydn: Orlando Paladino
Patricia Petibon (Angelica), Christian Gerhaher (Rodamonte), Michael Schade (Orlando), Malin Hartelius (Eurilla), Werner Güra (Medoro), Johannes Kalpers (Licone), Markus Schäfer (Pasquale), Elisabeth von Magnus (Alcina) & Florian Boesch (Caronte)
Concentus Musicus Wien, Nikolaus Harnoncourt
Orlando paladino is at the summit of Haydn's operatic art, and Harnoncourt's well-cast version is strongly recommended. —
Awards:
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BBC Music Magazine Awards, 2007, Opera Finalist
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Patricia Petibon: Melancolia
Spanish Arias and Songs
Patricia Petibon (soprano), with Susan Manoff, Joël Grare, with Daniel Manzanas
Orquesta nacional de España, Josep Pons
There's a pleasingly rich core to Petibon's voice besides the coloratura heights she's renowned for. She performs with total commitment and without fear and this injects everything she sings... —
Awards:
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Gramophone Magazine, January 2012, Editor's Choice
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Patricia Petibon: Nouveau Monde
Baroque Arias & Songs
Patricia Petibon (soprano)
La Cetra Baroque Orchestra, Andrea Marcon
Conquest is one theme, confession another; the whole a breakneck A-Z of Baroque song from airs de cours to zarzuela. —
Awards:
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Gramophone Magazine, January 2013, Editor's Choice
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L'amour, la mort, la mer
Patricia Petibon (soprano), Philippe Marchand (percussion), Susan Manoff (piano), David Venitucci (accordion), Ronan Le Bars (bagpipe), Olivier Py (vocal), Le chant des lendemains
Awards:
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Opus Klassik Awards, 2020, Nominee - Female Singer of the Year
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