Thilo Dahlmann
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Thilo Dahlmann and Hedayet Djeddikar are clearly aligned in darkly warm, sensitive performances - and the slight edge to Dahlmann's voice suits the barbed subject matter well. But passion remains... —
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Rolle: Matthäuspassion (St. Matthew Passion)
Ana-Marija Brkic (soprano), Sophie Harmsen (alto), George Poplutz (tenor), Joachim Streckfuss (tenor), Thilo Dahlmann (bass), Raimonds Spogis (bass)
Kölner Akademie Choir, Kölner Akademie, Michael Alexander Willens
The art of writing good music for the liturgy did not die with Bach. —
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Mattheson: Das größte Kind (Christmas Oratorio)
Susanne Rydén, Nele Gramß, Anne Schmid, Melissa Hegney, Gerd Türk & Thilo Dahlmann
Koelner Akademie, Michael Alexander Willens
The singers function as concertists throughout...[and] mix their solo and choral duties capably...Willens achieves an impeccably stylish and enjoyable performance of an attractive obscurity.... —
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Thilo Dahlmann is a bass-baritone of uncommon lyricism. He can certainly produce a heroic sound, but even in the most violent passages he does not bark his words, and he rarely breaks his legato.... —
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Telemann: St Luke Passion, TWV 5:33
Wolfgang Klose (tenor), Marcus Ulmann (tenor), Christian Hilz (baritone), Raimonds Spogis (baritone) & Thilo Dahlmann (bass)
Kölner Akademie, Michael Alexander Willens
Telemann's music is for the most part characteristically varied in colour, mood and style…Well worth a visit. —
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Portrait Lutz-Werner Hesse
Wolfgang Abendroth, Susanne Muller-Hornbach, Thilo Dahlmann, Matthias Wierig, Dirk Peppel, Jee-Young Phillips, Ensemble Clear Voices, Opernchor der Wuppertaler Bühnen, Sinfonieorchester Wuppertal, Aleksandar Marković
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Durante: Neapolitan Music for Christmas Volume II
Maria Piccinini (flute), Christina Kühne (soprano), Ursula Eittinger (mezzo), Alberto ter Doest (tenor), Thilo Dahlmann (bass-baritone)
Die Kölner Akademie, Michael Alexander Willens
Considering the fact that so little of Durante's vocal oeuvre has been recorded these discs are most welcome. In particular those who like to hear something less conventional during Christmastide... —
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Balthasar Freislich: Secular Cantatas
Goldberg Baroque Ensemble, Goldberg Vocal Ensemble, Andrzej Szadejko, Georg Poplutz (tenor), Thilo Dahlmann, David Erler, Ingrida Gápová
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Johann Heinrich Rolle: St. Luke Passion
Markus Schäfer (tenor), Siri Thornhill, Elvira Bill (mezzo-soprano), Matthias Vieweg, Thilo Dahlmann, Dora Pavlikova, Hugo Hymas, Kölner Akademie, Kölner Akademie Choir, Michael Alexander Willens
a neat and thoroughly pleasing performance. Perhaps there could have been an extra level of dramatic engagement in places – the crowd really do sound rather jolly when calling for crucifixion... —
