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Weber's Der Freischütz from René Jacobs
29th Apr 2022by Katherine Cooper
The Belgian conductor's restoration of the original libretto's prologue lends a wonderful symmetry and coherence to Weber's supernatural Singspiel, whilst German actor Max Urlacher is properly spine-chilling in the expanded role of the demon Samiel.
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Weber: Der Freischütz
Maximilian Schmitt (Max), Polina Pasztircsák (Agathe), Kateryna Kasper (Ännchen), Dimitry Ivashchenko (Kaspar), Yannick Debus (Kilian), Matthias Winckhler (Kuno), Christian Immler (Hermit), Max Urlacher (Samiel) Freiburger Barockorchester, Zürcher Sing-Akademie, René Jacobs
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Beethoven's Leonore from René Jacobs and the Freiburger Barockorchester
6th Dec 2019by Katherine Cooper
The original 1805 version of Beethoven's only opera is a high-adrenaline experience in the hands of the Belgian conductor and his period-instrument band, with Marlis Petersen in the title-role and Maximilian Schmitt as her imprisoned husband.
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Beethoven: Leonore
Marlis Petersen (Leonore), Maximilian Schmitt (Florestan), Dimitry Ivashchenko (Rocco), Johannes Weisser (Pizarro), Robin Johannsen (Marzelline), Johannes Chum (Jaqino), Tareq Nazmi (Don Fernando), Florian Feth, Julian Popken (Two Prisoners) Freiburger Barockorchester, René Jacobs
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Mozart's Requiem from René Jacobs
3rd Nov 2017by Katherine Cooper
The Belgian conductor presents Mozart's late mass in a new version by Pierre-Henri Dutron, which builds on and refines material from the familiar Süssmayr completion.
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Bach's St John Passion from René Jacobs
25th Mar 2016by David Smith
David reviews René Jacobs' first recording of Bach's St John Passion.
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Bach, J S: St John Passion, BWV245
Werner Güra (Evangelist), Johannes Weisser (bass arias/Christus), Andrew Redmon (Petrus), Johannes Schendel (Pilatus), Sunhae Im (soprano arias), Benno Schachtner (alto arias), Sebastian Kohlhepp (tenor arias), Fabienne Weiss (Ancilla), Minsub Hong (Servus) Akademie fur Alte Musik Berlin, RIAS Kammerchor, Staats-& Domchor Berlin, René Jacobs
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Idomeneo from René Jacobs
18th May 2009by Chris O'Reilly
Following his landmark accounts of the three Da Ponte opera, Jacobs tackles Mozart’s early opera seria, with Richard Croft as the Cretan king, Bernarda Fink as his estranged son, and Alexandrina Pendatchanska spitting fire as Elettra.
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Telemann: Brockes Passion
Birgitte Christensen, soprano (Tochter Zion I, Gläubige Seele I, Maria, 3. Magd), Lydia Teuscher, soprano (Tochter Zion II, Gläubige Seele II, 2. Magd), Marie-Claude Chappuis, mezzosoprano (Judas, Gläubige Seele III, 1. Magd), Donát Havár, tenor (Petrus, Pilatus, Gläubige Seele IV, Hauptmann), Daniel Behle, tenor (Evangelist, Gläubige Seele VI) & Johannes Weisser, baritone (Jesus, Gläubige Seele V) RIAS Kammerchor & Akademie für Alte Musik Berlin, René Jacobs
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Mozart - Don Giovanni from René Jacobs
1st Oct 2007by Chris O'Reilly
The final instalment of the Belgian conductor’s ‘refreshing and intelligent’ Mozart-Da Ponte cycle has Chris questioning his preconceptions about the eponymous libertine, sung here by 27-year-old Johannes Weisser.
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Mozart: Don Giovanni, K527
Johannes Weisser (Don Giovanni), Lorenzo Regazzo (Leporello), Alexandrina Pendatchanska (Donna Elvira), Olga Pasichnyk (Donna Anna), Kenneth Tarver (Don Ottavio), Sunhae Im (Zerlina), Nikolay Borchev (Masetto), Alessandro Guerzoni (Il Commendatore) Freiburger Barockorchester, René Jacobs