Arranged by Eric Wetherell for chamber orchestra in 2009. The sixth G&S collaboration was "Patience", or "Bunthorne's Bride". Patience opened on April 23, 1881 at the Opera Comique and ran for 578 performances, moving on October 10, 1881 to D'Oyly Carte's new theatre, the Savoy, the first theatre in the world to be lit entirely by electric lights. Patience satirizes the "aesthetic craze" of the 1870's and '80s, when the output of poets, composers, painters and designers of all kinds was indeed prolific — but, some argued, empty and self-indulgent. This artistic movement was so popular, and also so easy to ridicule as a meaningless fad, that it made Patience a big hit. The topical nature of the story may make Patience somewhat less accessible to some modern audiences, and G&S fans tend to have strong feelings one way or the other about Patience. All the well-born young ladies in the village, rapturously caught up in aestheticism, are in love with two contrasting aesthetic poets — a "fleshy" poet and an "idyllic" poet. But the poets are both in love with Patience, the simple village milkmaid, who cares nothing for poetry. Patience learns that true love must be completely unselfish--it must wither and sting and burn! The girls' military suitors don't see the point to aesthetics, but they decide to give it a try to win the women's hearts. It is touch and go for awhile, but everyone ends up with a suitable partner, even if it is only a tulip or lily. Synopsis from The Gilbert and Sullivan Archive.