The title is taken from the shop of the same name in the Spitalfields area of London which specialised in restored vintage, retro and antique furniture and the paired-down character of the pieces relates to the shop. Many of the items had an utilitarian character (eg. circus ladder, pigeon-hole cabinet, luggage rack) but with the passing of time acquired a timeless appeal. It was more like a museum as nothing had a price tag attached. I was interested in the degree of distance between sections: For instance, 4 and 8 have a clear resembelance, and 7 is a smoothed out, less rhythmical take on number 2. Spare melodic lines are a feature and I was partly thinking of a piano masterclass Jonathan Powell gave in Brno where he focused for at least 30 minutes on how to shape the opening single line of Chopin's Etude op.25 No.7 in C sharp minor. Nos.1-4 can be extracted from the whole set and played as an independant entity.