Self, Susannah: The Frontline Worker
for speaker and ensemble
Self, Susannah: The Frontline Worker
for speaker and ensemble
Purchase product
About
Commissioned by The Skipton Camerata, 2020.
This commission is so interesting because of its orchestration for actor/narrator and 7 players and because of the intriguing script created by Kamal Kaan. The Frontline Worker which is a combination of stand-up comedy interfaced with the tragedy of a nurse faced with the lack of PPE and ventilators in the NHS during Lockdown. She becomes broken by watching patients die and subsequently leaves her job. There is a Kafkaesque quality to this scenario so I am glad the words will be spoken rather than sung, because the humanistic message is too important to be possibly lost on a vocal line. The orchestration is of course identical to Stravinsky?s The Soldier?s Tale but I am aiming for a more naturalistic. A trap in composing for narrator and ensemble is that the music can become too descriptive of the text and the piece ends up becoming parody of itself although I admit I use a whip and whistle! But parallel to the anarchic hilarity I want to convey the extremely pitiful situation that frontline workers have been forced into during the Covid crisis. Therefore there is thoughtful music in juxtaposition to the comedy.
This commission is so interesting because of its orchestration for actor/narrator and 7 players and because of the intriguing script created by Kamal Kaan. The Frontline Worker which is a combination of stand-up comedy interfaced with the tragedy of a nurse faced with the lack of PPE and ventilators in the NHS during Lockdown. She becomes broken by watching patients die and subsequently leaves her job. There is a Kafkaesque quality to this scenario so I am glad the words will be spoken rather than sung, because the humanistic message is too important to be possibly lost on a vocal line. The orchestration is of course identical to Stravinsky?s The Soldier?s Tale but I am aiming for a more naturalistic. A trap in composing for narrator and ensemble is that the music can become too descriptive of the text and the piece ends up becoming parody of itself although I admit I use a whip and whistle! But parallel to the anarchic hilarity I want to convey the extremely pitiful situation that frontline workers have been forced into during the Covid crisis. Therefore there is thoughtful music in juxtaposition to the comedy.
Contents
- Self, Susannah: The Frontline Worker
Spotlight on this product
-
An error occurred.
Try watching this video on www.youtube.com, or enable JavaScript if it is disabled in your browser.