Katherine Balch: forgetting
solo soprano, mezzo-soprano, counter tenor, tenor, baritone, and bass voices (SOP/MEZZ/CTEN/TEN/BARITONE/BASS)
Katherine Balch: forgetting
solo soprano, mezzo-soprano, counter tenor, tenor, baritone, and bass voices (SOP/MEZZ/CTEN/TEN/BARITONE/BASS)
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About
Katherine Balch’s deconstructed setting of Katie Ford’s Estrangement is composed for vocal sextet and toy noise makers. The music is intricate and the vocal lines are a mixture of sung text and phonetic vowels. Toy noise makers seamlessly blend with the voices to create a texture that is immediate and haunting.
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- Katherine Balch: forgetting
