This overture recounts the magical re-awakening of Spring’s arrival in Sweden with the help of two Swedish folk songs. A melancholic, haunting song is first heard from afar as various instruments from different locations in the concert hall echo the solitary female voice. A soulful melody gradually transforms to a polka-like variant that gradually builds into the joyful main theme. The score contains valuable notes from the composer on how various effects and placement of musicians throughout the space can enhance Spring’s performance.