For Fred Frith, the guitar is merely a starting point. It is a user interface onto which he superimposes various concepts that expand the instruments sound to include, noises, decompositions and reconstructions. Together with Cornelius Claudio Kreuschand Johannes Tonio Kreusch, he created pieces that crashed against one another likewaves and flowed into one another. Some had a meditative depth, developing throughdrone motifs and ostinatos. Others condensed into textures, into sonic bodies that would explode or disintegrate again, only to transition into other constellations.