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Special offer. The Ellington Piano Project

Arnie Somogyi, Mark Edwards, Gideon Tazelaar, Matthew Holmes, Jon Newey, Ashley Slater, Sara Oschlag

But, just when you're thinking you have the measure of this whole enterprise, there are a few subliminal overdubs of distant brass or a discreet four-in-the-bar banjo just enough to enhance,...

Special offer. The Ellington Piano Project

Arnie Somogyi, Mark Edwards, Gideon Tazelaar, Matthew Holmes, Jon Newey, Ashley Slater, Sara Oschlag

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96 kHz, 24 bit, FLAC/ALAC/WAV

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This release includes a digital booklet

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But, just when you're thinking you have the measure of this whole enterprise, there are a few subliminal overdubs of distant brass or a discreet four-in-the-bar banjo just enough to enhance,...

About

Few would imagine that jazz legend Duke Ellington, one of the most influential musicians of the 20th century, made his final recording in Eastbourne, on the South Coast of England. Yet it was here, at The Congress Theatre, that Ellington delivered his swan song, a live concert immortalised on the 1975 RCA album, The Eastbourne Performance. This was to be his last officially-released recording, cementing a poignant chapter in musical history.

2025 marks the 50th anniversary of this landmark recording, and to celebrate this legacy leading jazz musicians, bassist Arnie Somogyi and pianist Mark Edwards, have recorded a brand-new album, ‘The Ellington Piano Project’, that rekindles Ellington’s spirit and showcases the piano played during that historic concert.

With fresh reworkings of classic Ellington compositions placed alongside original music inspired by Ellington’s improvisations on Eastbourne Performance, the album spotlights New York-based Dutch tenor virtuoso Gideon Tazelaar and rising star Matthew Holmes on drums, with special guest vocalist Sara Oschlag featured on two tracks.

Contents and tracklist

Awards and reviews

November 2025

But, just when you're thinking you have the measure of this whole enterprise, there are a few subliminal overdubs of distant brass or a discreet four-in-the-bar banjo just enough to enhance, rather than distract.
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