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White Juju

Red/Yellow Vinyl

Soweto Kinch

White Juju
Kinch’s alto keens like a tormented soul, the orchestra takes on an aura of lurking menace and quasi-classical constructs collide with audio media snippets that sound positively chilling when...

White Juju

Red/Yellow Vinyl

Soweto Kinch

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2 Vinyl Records

$35.50

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48 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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This release includes a digital booklet

Stream now Hi-RES 48 kHz, 24 bit
Kinch’s alto keens like a tormented soul, the orchestra takes on an aura of lurking menace and quasi-classical constructs collide with audio media snippets that sound positively chilling when...

About

This sensational recording from LSO Live features the world premiere of Soweto Kinch’s new work for jazz quartet and symphony orchestra, written in response to the Black Lives Matter movement, Black British history and the lockdown era.

Beginning with the deafening silence of quarantine in 2020, it conjures sounds such as a bird call in Central Park, and the statue of a slaver crashing into Bristol’s River Avon, interwoven with Kinch’s barbed, incisive lyrics. The piece is deliberately danceable and intentionally seeks to subvert expectations of orchestral music.

Kinch’s music melds his distinct approach to jazz and hip hop with classical music: drawing broad inspiration from European folklore, the African Diaspora and divisive national myths to create a uniquely contemporary tone poem.

White Juju was commissioned by the London Symphony Orchestra and Serious, supported as part of Serious' Giant Steps scheme funded by Help Musicians and Cockayne Grant for the Arts.

Contents and tracklist

Awards and reviews

Kinch’s alto keens like a tormented soul, the orchestra takes on an aura of lurking menace and quasi-classical constructs collide with audio media snippets that sound positively chilling when deprived of their contextual camouflage […] unmissable.

Kinch being Kinch, the musicality and improvisational urgency of this huge enterprise are never submerged by the weight of its themes […] in ways that are sometimes seamless, sometimes jaggedly and resonantly dissonant.
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