This hybrid piece, where for the first time the musician has agreed to play the problematic role and function of ‘composer’, can be read both as a form of achievement and as a founding act.

Indeed, ‘composing’, as she makes it clear here, with the structure constantly generating and encouraging individual expression, is nothing else for her than a transposition to ‘another stage’ of the improviser’s gesture and a transfusion into a band’s plural entity of the complex spread of a thought both intimate and collective, made even more unique by its will to be shared. […] Because she constantly feeds all her experience as an improviser into her writing, Léandre has clearly created, with "Can You Hear Me?", a major milestone in her already illustrious career.

(from Stéphane Ollivier’s liner notes)