"The ritualistic form… creates fear, for example, by creating an imaginative, often mythological experience which, by containing its own logic within itself, has no reference to any specific time or place, and is forever valid for all time and place… Above all, the ritualistic form treats the human being not as the source of the dramatic action, but as a somewhat depersonalized element in a dramatic whole." - Maya Deren (in An anagram Of Ideas On Art, Form and Film, 1946)

"While French piccolo bassist Eric Brochard’s and drummer Fabrice Favriou’s amplified sounds are intense enough to power an electrical grid, cannily indirect coloration infers a palimpsest of additional textures. Rock-like rythms are paramount throughout due to the repetitive patterns in Favriou’s backbeat, spiked frequently with cymbal clatter. Additionally, while Brochard’s bass is highly electrified, slurred fingering and other guitar tropes prevent monotony." – Ken Waxman, Jazzword