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The New Quartet

Gary Burton (vibraphone)

The New Quartet
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Awards:

[Burton's] playing here contains no high-tempo fireworks, but refined, almost perfect lyrical expressionism, use of dynamics, and a technique that effortlessly embraces the four-octave span...

The New Quartet

Gary Burton (vibraphone)

Purchase product

Vinyl Record

$40.00

10+ available: usually despatched in 3 - 4 working days

Awards:

[Burton's] playing here contains no high-tempo fireworks, but refined, almost perfect lyrical expressionism, use of dynamics, and a technique that effortlessly embraces the four-octave span...

About

Luminessence, ECM's new audiophile vinyl-reissue series, is a kaleidoscope, shedding light on the jewels of the label's deep catalogue in elegant, high-quality editions - audiophile vinyl pressing, high-grade tip-on gatefold sleeves that include new liner notes.

As well as being the great vibes innovator of the era, Gary Burton has been a most astute talent scout. In 1973, The New Quartet introduced Abraham Laboriel: this was the first recording of the bassist who would shortly become one of the most in-demand session players across all genres. "It must be emphasised that Laboriel sounds like a major artist in the making with his astonishing bass work," wrote Melody Maker.

Guitarist Mick Goodrick also emerged as a player to watch with this album, shining in a well-conceived programme with compositions of Keith Jarrett, Chick Corea, Carla Bley, Mike Gibbs and bandleader Burton.

Gary Burton: vibraphone

Mick Goodrick: guitar

Abraham Laboriel: bass

Harry Blazer: drums

Contents and tracklist

Side 1

1. Open Your Eyes, You Can Fy (6:39)

2. Coral (4:07)

3. Tying Up Loose Ends (5:12)

4. Brownout (6:30)

Side 2

1. Olhos De Gato (5:37)

2. Mallet Man (7:10)

3. Four Or Less (6:11)

4. Nonsequence (4:29)

Awards and reviews

  • Jazzwise
    Recommended Reissue/Archive
    August 2023

August 2023

[Burton's] playing here contains no high-tempo fireworks, but refined, almost perfect lyrical expressionism, use of dynamics, and a technique that effortlessly embraces the four-octave span of his instrument.
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