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Kemo-Sabe

Masao Nakajima Quartet

Kemo-Sabe

Awards:

Nakajima’s music certainly has an air of tradition, but it’s his boundless expression that makes Kemo-Sabe feel like anything but a stale reactionary record; even if he’s not pushing his music...

Kemo-Sabe

Masao Nakajima Quartet

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44.1 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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No digital booklet included

Stream now Hi-RES 44.1 kHz, 24 bit

Awards:

Nakajima’s music certainly has an air of tradition, but it’s his boundless expression that makes Kemo-Sabe feel like anything but a stale reactionary record; even if he’s not pushing his music...

About

BBE Music continues its highly acclaimed J Jazz Masterclass Series with Kemo Sabe, the debut album from pianist Masao Nakajima. Recorded in 1979 on Yupiteru Records, it’s an elusive beast in the field of J Jazz and balances delicate and refined playing with power and vigour. The Kemo Sabe album features bassist Osamu Kawakami, who has performed and recorded with such J Jazz figureheads as Sadao Watanabe, Isao Suzuki, and Kunihiko Sugano. Sax duty is by Toshiyuki Honda, leader of the popular fusion group Burning Waves. On drums is Donald Bailey, the noted American drummer most known for playing on classic Jimmy Smith Blue Note sessions. Bailey lived and worked in Japan for a number of years from the late 70s and recorded several album dates with local artists such including Keiko Nemoto, Isao Suzuki and George Kawaguchi. Recorded at the height of the electric fusion era, Kemo Sabe is an avowedly acoustic album, which may account for the small sales and low profile of the album at the time. The propulsive title track, written by New Zealand jazzman Mike Nock, was gifted to Nakajim-san when they briefly met and was featured on J Jazz: Deep Modern Jazz From Japan vol 3. The reissue’s liner notes features an exclusive interview with Masao Nakajima himself, discussing his career and background to the album. The BBE J Jazz Masterclass Series is curated by Tony Higgins and Mike Peden and is dedicated to presenting the very finest in Japanese jazz. The series features rare, long-lost and unreleased material presented in the highest quality reproductions of the original releases, fully licensed and authorised.

Contents and tracklist

Spotlight on this release

  • Masao Nakajima Quartet, 'Kemo-Sabe'

    26th Aug 2022by Joshua Lee

    At a time when acoustic jazz ensembles were falling out of style, Masao Nakajima's 1979 debut album managed to push traditional sounds into new territories, and finally gets its due as a reissue from Barely Breaking Even.

Awards and reviews

  • Presto Recording of the Week
    26th August 2022

Nakajima’s music certainly has an air of tradition, but it’s his boundless expression that makes Kemo-Sabe feel like anything but a stale reactionary record; even if he’s not pushing his music into any new aesthetic territories he’s far from phoning it in.

9th August 2022

Newly reissued by the BBE label’s J Jazz series, the Tokyo pianist’s 1979 album is more traditional than its contemporaries in the Japanese jazz scene, but it overflows with character.
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