Personal Belongings
Omer Klein (piano), Amir Bresler (drums), Haggai Cohen Milo (bass)
Klein has a beautiful touch, often reminiscent of the light-stepping springiness of Chick Corea on Latin rhythms, while his inventiveness in the nuanced repetition of looping phrases suggests...
Personal Belongings
Omer Klein (piano), Amir Bresler (drums), Haggai Cohen Milo (bass)
Purchase product
Klein has a beautiful touch, often reminiscent of the light-stepping springiness of Chick Corea on Latin rhythms, while his inventiveness in the nuanced repetition of looping phrases suggests...
About
On this, his latest and most personal album to date, Omer Klein – “one of a small group of master pianists” (Süddeutsche Zeitung) – presents us with an insightful commentary on the world today. Originating during the 2020 pandemic, the ten pieces reflect Klein’s personal position as a human being, pianist, composer, bandleader, father, and artist between cultures.
For Klein, like everyone else, the first Covid wave brought unfamiliar challenges. Born in Israel and now living in Frankfurt, his life as an itinerant musician came to an abrupt halt from one day to the next in spring 2020. Not one for brooding, he started to use the abundance of free time to compose. As broad swathes of the world seemed to come to a standstill, large numbers of people were falling ill and grim images became the hallmark of the time – Klein’s thoughts and experiences were calling out for collection and expression.
With his gaze alternately focused inward and outward, little by little there emerged a narrative thread of extraordinary vibrancy and depth, in which he views the bigger picture in miniature.
Contents and tracklist
- Omer Klein (piano), Amir Bresler (drums), Haggai Cohen Milo (bass)
- Omer Klein (piano), Amir Bresler (drums), Haggai Cohen Milo (bass)
- Omer Klein (piano), Amir Bresler (drums), Haggai Cohen Milo (bass)
- Omer Klein (piano), Amir Bresler (drums), Haggai Cohen Milo (bass)
Awards and reviews
October 2021
Klein has a beautiful touch, often reminiscent of the light-stepping springiness of Chick Corea on Latin rhythms, while his inventiveness in the nuanced repetition of looping phrases suggests perceptive attention to Brad Mehldau – and in his attachment to song forms, drawn from both western and middle eastern sources, he's an improviser practising the art on very inviting materials.