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Projekt Drums Vol. 1

Petter Eldh

Awards:

A recording that demonstrates in the right hands a production-orientated, electronica-infused take on jazz can takes a rightful place in its historically creative continuum.

Projekt Drums Vol. 1

Petter Eldh

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44.1 kHz, 24 bit, FLAC/ALAC/WAV

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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320 kbps, MP3

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Stream now Hi-RES 44.1 kHz, 24 bit

Awards:

A recording that demonstrates in the right hands a production-orientated, electronica-infused take on jazz can takes a rightful place in its historically creative continuum.

About

Swedish Producer Petter Eldh announces his new album "Projekt Drums vol. 1" which embraces his love of heavy beats, psychedelic sounds and musical collaboration. This first volume is made of six diverse tracks from some of the most exciting drummers working on the scene today: Savannah Harris, Eric Harland, Nate Wood, James Maddren, Gard Nilssen and Richard Spaven.The music is hard-hitting and mesmerising, it's full of complexity and sonority but at the heart are the drums: the beat and groove alongside a kaleidoscope of sounds and effects. The arrangements include a total of sixteen instrumental collaborators comprising Harpists, French horn and marimba players and a plethora of keyboards and unique synths. It's original and highly engaging. No single listen will do it justice!

Contents and tracklist

Spotlight on this release

Awards and reviews

  • Jazzwise
    Editor's Choice
    November 2021
  • Presto Recording of the Week
    19th November 2021

November 2021

A recording that demonstrates in the right hands a production-orientated, electronica-infused take on jazz can takes a rightful place in its historically creative continuum.

19th November 2021

These grooves are irresitible. If there is - as the title suggests - another volume to come, I’ll be waiting for it eagerly.

20th September 2021

Eldh is constantly toying with each track — adding, subtracting, and reshaping every bar with shifting details, some electronic, some acoustic — functioning more like a sound sculptor than a bandleader… [his] big ears can’t be contained by any single genre, so this is as much a post-hip hop record as it is a jazz album.
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