Help
Skip to main content

Code 2

Peter McEachern, Noah Preminger, Mario Pavone, Michael Sarin

Code 2
McEachern may be the only musician to have worked with both minimalist composer La Monte Young and blues guitarist Clarence “Gatemouth” Brown. He’s capable of getting as abstract and cerebral...

Code 2

Peter McEachern, Noah Preminger, Mario Pavone, Michael Sarin

Purchase product

CD

$22.50

2 available: usually despatched in 3 - 4 working days

Download

From$15.00

Download

Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$20.00

320 kbps, MP3

$15.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
McEachern may be the only musician to have worked with both minimalist composer La Monte Young and blues guitarist Clarence “Gatemouth” Brown. He’s capable of getting as abstract and cerebral...

About

SteepleChase launched its sister label "LookOut" in 2012 to introduce the world, jazz artists who deserve wider recognition. The label amassed over 40 titles now. Here is #44 - veteran trombonist Peter McEachern and his quartet. McEachern bases his activities in Connecticut but tours and teaches all over USA. He released a CD in 2018 entitled "Bone Code" with his trio. This 2021 version is expanded with the addition of the young saxophone star Noah Preminger.

McEachern is not only dextrous with his instrument but also a prolific composer, who penned most of the tunes on this album.

"What strikes one as significant, however, is McEachern's trombone technique, which features a variety of styles played with great intimacy… While often subtle but never rambunctious, his understated technique allows the compositions to breath." - Don Phipps, All About Jazz

Personnel: Peter McEachern (trombone), Noah Preminger (tenor saxophone), Mario Pavone (bass), Michael Sarin (drums)

Contents and tracklist

Awards and reviews

December 2021

McEachern may be the only musician to have worked with both minimalist composer La Monte Young and blues guitarist Clarence “Gatemouth” Brown. He’s capable of getting as abstract and cerebral as you like, but is just as happy to stick his feet in the mud, and his sound stays big, no matter how quietly he’s playing; it’s an astonishing display of control backed by real emotion.
View download progress