On a Friday Evening
Bill Evans Trio
Its only downside is the rather 1970s bass-amp sound, but there’s a good piano, well exploited in the lengthy unaccompanied intro to ‘Nardis’…
On a Friday Evening
Bill Evans Trio
Purchase product
Its only downside is the rather 1970s bass-amp sound, but there’s a good piano, well exploited in the lengthy unaccompanied intro to ‘Nardis’…
About
A newly-discovered live performance by Bill Evans Trio, featuring Eddie Gómez on bass and Eliot Zigmund on drums. The previously unreleased concert took place on June 20, 1975, at Oil Can Harry’s, Vancouver, BC. Captured for radio host Gary Barclay, it was aired on his popular CHQM jazz show. For nearly half a century, the tapes lay forgotten – until now. Thanks to audio restoration by Plangent Processes and meticulous mastering by Paul Blakemore, it sounds just as fresh today as it did in 1975.
Contents and tracklist
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
- Bill Evans Trio, Bill Evans (piano), Eddie Gomez (bassguitar), Eliot Zigmund (drumkit)
- Recorded: 1975-06-20
Awards and reviews
June 2021
Its only downside is the rather 1970s bass-amp sound, but there’s a good piano, well exploited in the lengthy unaccompanied intro to ‘Nardis’…
