When Danish pianist Carsten Dahl went into the studio with his perennial fellow musicians, the bassist Niels Bo Davidsen and the drummer Stefan Pasborg, it was with a special dogma: Not to say a word throughout the recording.

The album was created in a continuous sequence of first takes and everything was improvised without previous agreements or ideas except 'Falling Down' and 'How I Hear Beauty' based on some chords Dahl scratched down on a piece of paper in the studio.

There is a natural, fluent, and electric feeling in the music. The trio creates a series of intense pieces most of them no longer than 3-4 minutes, but together they constitute a suite-like process with stimulating variation in form and expression.