The solo debut from piano player and composer Luzius Schuler, is a record that harnesses the standard ingredients for neo-classical - electronic soundscapes and piano - to create a singular hybrid of aesthetics a century apart.

Think of it as a collision of contemporary impressionism - sound paintings utilising sound synthesis, noise, granular synthesis and field recordings - with its turn of the 20th century analog. If this music was an actual painting, it would be a canvas where a modern composition was meticulously applied over a vintage work with varying levels of opacity. But ultimately, this is a very poetic document of six months spent soaking up the city of Paris and writing music.