Blood Moon
Ingrid Laubrock, Kris Davis
Both artists are imaginative and virtuosic free-improvisers, but it’s their creative framing of spontaneity inside structures with distinctive story-shapes that makes their work such an inviting...
Blood Moon
Ingrid Laubrock, Kris Davis
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Both artists are imaginative and virtuosic free-improvisers, but it’s their creative framing of spontaneity inside structures with distinctive story-shapes that makes their work such an inviting...
About
Ingrid Laubrock: tenor and soprano sax Kris Davis: Piano. More than a decade ago, saxophonist-composer Ingrid Laubrock met pianist-composer Kris Davis at the recently shuttered historic hang Cornelia street Cafe in downtown Manhattan, before Laubrock had moved to New York. Over the next years, Laubrock and Davis would inspire and challenge each other within varied musical contexts - and across a number of recordings - including Laubrock?s critically-acclaimed quintet Anti-house, as well as other traditional instrumental role-resistant small groups and sprawling orchestral settings. For the second installment of Laubrock?s duo series on Intakt (after the Duo Laubrock-Takase), she and Davis stretch individual sounds of their like minds around seven original compositions and two improvised tracks, each crafted for the artists? unique interpretation as a duo. "Over the years we?ve just developed a certain language that?s our language," says Laubrock. "We wrote most of the music specifically for the record, but didn?t have an overarching concept." And: "I don?t know many people I could do this with other than Kris" says Laubrock. "Musically, we are kindred spirits." (from the liner notes by Stephanie Jones)
Contents and tracklist
- Ingrid Laubrock, Kris Davis
- Ingrid Laubrock, Kris Davis
- Ingrid Laubrock, Kris Davis
- Ingrid Laubrock, Kris Davis
- Ingrid Laubrock, Kris Davis
Awards and reviews
October 2020
Both artists are imaginative and virtuosic free-improvisers, but it’s their creative framing of spontaneity inside structures with distinctive story-shapes that makes their work such an inviting bridge between contemporary-jazz and contemporary-classical music. The slow weave of the title track here almost suggests an oldschool ballad, but its melody is lateral and gently dissonant, its improv sometimes busy and staccato, sometimes delicately airy.
September 2020
Throughout, Blood Moon comes off as a conversation between two equally intriguing polymaths, leaving the listener hungry for more.