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The Piano Equation

Matthew Shipp (piano)

Firstly, his touch is magnificent, with the clarity and muscularity of the right hand and mighty power of the left well to the fore. Here, over 11 relatively short pieces, he proves that he...

The Piano Equation

Matthew Shipp (piano)

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Firstly, his touch is magnificent, with the clarity and muscularity of the right hand and mighty power of the left well to the fore. Here, over 11 relatively short pieces, he proves that he...

About

Further honing a singular cosmic musical language, Matthew Shipp begins celebrating his landmark 60th year with this solo piano recording. 'The Piano Equation' is also the inaugural release from Tao Forms, a new label founded by drummer-improviser-composer - and longtime Shipp collaborator - Whit Dickey.

Over more than half of his lifespan, Shipp has built up an unparalleled body of work and a wholly original musical language that only becomes more hyper-focused and distinctive with the passage of time. Shipp's abstract eloquence is on vivid display throughout 'The Piano Equation', which presents Shipp alone at the piano, brilliantly solving his higher-order musical mathematics, approaching each new unknown from unexpected vantage points as in some form of cubist algebra. Shipp builds his solo music in a cellular fashion, formed like the building blocks of human life out of disparate elements that combine and evolve in novel and fascinating forms.

Eruptive Cecil Taylor clusters are mutated by the interstellar rays of Sun Ra's philosophising, then spiral earthward in taut, obsessive figures. Stride, swing and the avant-garde collide like so many elemental particles, the aftereffects radiating outward in increasingly complex and intricate formations. The scientific, the personal, the political and the fantastic co-exist throughout Shipp's work, melding in the radical vocabulary that the pianist employs on the album, which speaks with its own alien yet familiar logic. Fragments of melody coalesce and transform, dissolve or shatter into kaleidoscopic reveries.

While some may have used the arrival of such a landmark occasion as their 60th birthday to look backwards, Shipp will spend the year continuing to move resolutely forward, further evolving a voice that is as intimately personal as it is cosmically adventurous.

Contents and tracklist

Piano Equation 5.14

Swing Note from Deep Space 4.59

Piano in Hyperspace 4.14

Vortex Factor 4.16

Land of the Secrets 3.29

Void Equation 5.59

Tone Pocket 4.41

Clown Pulse 2.07

Radio Signals Equation 7.39

Emission 3.31

Cosmic Juice 4.49

Awards and reviews

May 2020

Firstly, his touch is magnificent, with the clarity and muscularity of the right hand and mighty power of the left well to the fore. Here, over 11 relatively short pieces, he proves that he is as much about narrative, or rather how to string together multiple sprightly themes, some times in very quick succession, as he is the investigation of timbre and tonality in order to sidestep conventional harmonic constructs.

July 2020

…one aspect of his practice that’s grown especially rewarding is his encoding complex emotional experiences in abstract musical information, as he does on the Ellington-derived fantasia “Land Of The Secrets.” It all adds up to a rewarding return to Shipp’s most irreducible musical setting.
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