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In the Arctic Dreamtime

Henry Kaiser, Ivar Grydeland

The music – guitar lines weaving in and out of each other (as on ‘To The North Pole’) or effects-laden low drones and high tones (‘Roald Amudsen 1925’) – is both powerful and starkly beautiful,...

In the Arctic Dreamtime

Henry Kaiser, Ivar Grydeland

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The music – guitar lines weaving in and out of each other (as on ‘To The North Pole’) or effects-laden low drones and high tones (‘Roald Amudsen 1925’) – is both powerful and starkly beautiful,...

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May 2020

The music – guitar lines weaving in and out of each other (as on ‘To The North Pole’) or effects-laden low drones and high tones (‘Roald Amudsen 1925’) – is both powerful and starkly beautiful, evoking windswept, white-scrubbed polar landscapes, with ‘Spitsbergen’ in particular conjuring up images of a chilly, elemental stillness.
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