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Munich 2016

Keith Jarrett (piano)

Munich 2016

Awards:

From the opening ‘Part I’, a 16-minute storm of thundering polyrhythms and powerful cadences, the muse certainly seemed to have descended on Jarrett that evening. Each piece seems to flash by...

Munich 2016

Keith Jarrett (piano)

Purchase product

2 Vinyl Records

$43.00

1 available: usually despatched in 3 - 4 working days

Awards:

From the opening ‘Part I’, a 16-minute storm of thundering polyrhythms and powerful cadences, the muse certainly seemed to have descended on Jarrett that evening. Each piece seems to flash by...

About

A solo concert from Keith Jarrett - recorded at Munich’s Philharmonic Hall on July 16, 2016, on the last night of a European tour - finds the great improvising pianist at a peak of invention.

Creating a spontaneous suite of forms in the moment with the assurance of a master builder - interspersing touches of the blues and folksong lyricism between pieces of polyrhythmic and harmonic complexity - he delivers one of his very finest performances. An attentive and appreciative audience hangs on every note, every nuance, and is rewarded with some tender encores including a magical version of “It’s A Lonesome Old Town”.

There is, still, nothing else like a Keith Jarrett solo concert. “Through a series of brilliant solo performances and recordings that demonstrate his utterly spontaneous creativity,” the Polar Music Prize committee noted a few years ago, “Keith Jarrett has simultaneously lifted piano improvisation as an art form to new, unimaginable heights.”

Contents and tracklist

Disc 1

1. Part I

2. Part II

3. Part III

4. Part IV

5. Part V

6. Part VI

7. Part VII

Disc 2

1. Part VIII

2. Part IX

3. Part X

4. Part XI

5. Part XII

6. Answer Me, My Love

7. It's a Lonesome Old Town

Awards and reviews

  • Jazzwise
    Editor's Choice
    February 2020

February 2020

From the opening ‘Part I’, a 16-minute storm of thundering polyrhythms and powerful cadences, the muse certainly seemed to have descended on Jarrett that evening. Each piece seems to flash by brimming with allusions – 20th century European composers, Shostakovich (a favourite) and maybe Hindemith?
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