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Making Other Arrangements

Linley Hamilton, The Camden Orchestra, Cian Boylan

Making Other Arrangements
Trumpeter Hamilton is a luminary of the Northern Ireland jazz scene: well-known as a broadcaster, teacher and jazz activist. He says in his press release that it was his ambition, having heard...

Making Other Arrangements

Linley Hamilton, The Camden Orchestra, Cian Boylan

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Trumpeter Hamilton is a luminary of the Northern Ireland jazz scene: well-known as a broadcaster, teacher and jazz activist. He says in his press release that it was his ambition, having heard...

About

The trumpeter Linley Hamilton been an important figure within jazz in Ireland and the UK for many years. As a musician he is at the top of the list when it comes to looking for a horn player for a recording or live performance. He has appeared on records by Paul Brady, Jacqui Dankworth and Foy Vance to name a few.

Now he has brought forward possibly the finest jazz album recorded in Ireland for decades. 'Making Other Arrangements' is a unique collaboration between Hamilton, the musician/leader and Cian Boylan, the producer/arranger. It is a collection of compositions from the likes of Dizzy Gillespie, Abdullah Ibrahim, Freddie Hubbard, James Taylor and Michel Legrand. It features a full string ensemble, woodwind and rhythm section. The result is a masterful album with wonderful individual performances created with cascades of sounds that will captivate and delight the listener.

For this project Hamilton and Boylan pulled together some of the leading voices in Irish jazz including Nigel Clark on guitar, Ben Castle on saxophone, Dana Masters on vocals, Dave Redmond on bass and Guy Rickerby on drums.

Contents and tracklist

Awards and reviews

June 2018

Trumpeter Hamilton is a luminary of the Northern Ireland jazz scene: well-known as a broadcaster, teacher and jazz activist. He says in his press release that it was his ambition, having heard Freddie Hubbard’s Ride Like The Wind, to record an album with a large ensemble and this is the realisation of that aim. Hamilton’s flugel is uppermost, confident and fluent, full-toned, the improvisations modest as he lets these nice tunes work for themselves...
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