The Day I Had Everything? magnifies what is beautiful about great jazz. The subtleties and sophisticated group interaction offers countless rewards.. If New Orleans was the first city of jazz; New York, the city that never sleeps: the home of bebop; Paris the city of 50s cool, then, arguably, that dynamic, cosmopolitan, constantly self-reinventing megacity London is the jazz burg of the 21st century. To a visitor, London is overwhelming - a monster that consumes all in its path, grimey, overcrowded and intense. But it?s been said that London is a collection of villages and to the resident, subtle differences emerge between boroughs, within districts, even along streets. The yearly cycle brings its own complexity. The constant movement of people, wealth and cultures within the smoke create new patterns that are ever changing but are hugely influential on Londoners in obscure and cryptic ways. The interlinking, interconnectedness of this jazz trio mimics the narrative of the great city. Individual musicians with their own geography, architecture and psychology, their connections with each other pulse in the same dynamic and energetic way that the city?s blood vessels continually pump. The rhythm of the city is a subtle undercurrent in the rhythmic interplay of Malija. The city has got under their skin and become part of what they play.