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Barracoon

Allen (tenor saxophone), Ian Kenselaar (bass), Nic Cacioppo (drums)

Barracoon
The band have a strong collective vibe, and bass and drums step up when required. But Allen’s tightly articulated twists and tones are the main focus, delivered with intellectual rigour and...

Barracoon

Allen (tenor saxophone), Ian Kenselaar (bass), Nic Cacioppo (drums)

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This release includes a digital booklet

The band have a strong collective vibe, and bass and drums step up when required. But Allen’s tightly articulated twists and tones are the main focus, delivered with intellectual rigour and...

About

JD Allen’s eighth recording for Savant Records finds the wildly inventive saxophonist returning to the sax-bass-drums format playing with his usual sizzling intensity and unveiling new works which challenge preconceptions which somehow engage the listeners rather than alienate them. His colleagues, Ian Kenselaar and Nic Cacioppo are with him every step of the way, revelling in the exploratory compositions of their leader and rising to the challenges they bring.

JD Allen was hailed by New York Times jazz critic Ben Ratliff as, “a tenor saxophonist with an enigmatic, elegant and hard-driving style,” He has be the winner of Downbeat, JazzTimes & NPR polls in categories including NPR’s Best Jazz of the Year, Tenor Saxophonist of the Year, Composer of the Year and Rising Star of the Year. Following up on 2016’s ground-breaking album, ‘Americana’, (SCD2155), ‘Barracoon’ (a lean-to or barracks to confine slaves) reflects Allen’s awareness of the 400th anniversary of the first arrival of unwilling slaves in what was to become the United States.

Contents and tracklist

Spotlight on this release

Awards and reviews

October 2019

The band have a strong collective vibe, and bass and drums step up when required. But Allen’s tightly articulated twists and tones are the main focus, delivered with intellectual rigour and warmed by bluesy asides. The set finishes with Allen at his most Rollins-like on ‘When You Wish Upon a Star’, the album’s only cover.

September 2019

From relentless chromaticism of the hard-bop “Communion” to the Coltrane-inspired cadences of the title tune, Allen digs in deep, as if to wrest every possible twist from each tune’s changes
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