Live At Victoria
Slettahjell Solveig
Any new recording by the Norwegian vocalist, pianist and composer Solveig Slettahjell is a huge cause for celebration, especially one as judiciously programmed and commandingly performed as...
Live At Victoria
Slettahjell Solveig
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Any new recording by the Norwegian vocalist, pianist and composer Solveig Slettahjell is a huge cause for celebration, especially one as judiciously programmed and commandingly performed as...
About
A singer, alone, at a piano is not an unusual sight. But when that singer is Solveig Slettahjell, the rarity of the moment becomes vivid, and the expectation of what this moment could deliver is amplified. And, on a September night in 2017, at Nasjonal Jazzscene in Victoria, Oslo, Solveig gave such a performance. "Magical moments guaranteed" ran the tagline, and - for once - it was not advertising hyperbole. Guests joined for some songs: Pål Hausken provided percussive accompaniment on some tracks, while the choir Safari appeared to provide a whole new ambience to proceedings. However, their sparing use adds colour and drama at just the right moments, never resorting to mere chorus build-up and repetition. Featuring a set made of standards, original material, and settings of poems by Emily Dickinson, Solveig's performance is a masterful blend of emotional honesty and technical brilliance. Her delivery of classics by the likes of Gershwin, or more recent creations by Tom Waits and Leonard Cohen is bold and forthright, and her interpretations retain the spirits of the originals while marking them clearly with her own stylistic thumbprint. Her Emily Dickinson interpretations are much more than mere exercises - they are charged with the energy of the original poetry, and often viewed through unexpected lenses, such as on "Visit" (where Solveig leaves the piano and is accompanied by Pål Hausken) which becomes a blues-washed chaingang song; "Outlet" again takes a view of the lyrics through a blues filter; and "A Day" presents an arrangement that Tom Waits at his Asylum Years best would be proud of. This Solveig's second release through Jazzland Recordings, the previous being "Tarpan Seasons" (2009), a studio album that introduced a number of the tracks in this live recordings, perhaps most notably her interpretations of Emily Dickinson "A Day" and "Visit". Personnel Solveig Slettahjell: Vocals, Piano Pål Hausken: Drums, Vocals Safari (Eirik Kaasa, Åshild Kristin Stensrud Kaasa, Martha Sofie Eide, Malin Byberg, Åshild Sandvik, Nora Nesbakken, Tone Ravndal, Christoffer Holten Gidske and Johan Helland): choir Daniel Mikael Wold: live sound and recording
Contents and tracklist
12th of Never 3.23
How Long Has This Been Going On 5.18
Visit 3.25
Be Steady 5.29
Take It With Me 5.57
Outlet 3.01
Is My Living in Vain 5.33
Come Healing 6.37
I Don't Feel No Ways Tired 4.48
A Day 3.28
Awards and reviews
June 2018
Any new recording by the Norwegian vocalist, pianist and composer Solveig Slettahjell is a huge cause for celebration, especially one as judiciously programmed and commandingly performed as Live at Victoria. Live at Victoria is an album that demands to be heard in one sitting.