Gnosis
David Virelles (piano/marimbula/voice), Román Díaz (voice/percussions), Allison Loggins-Hull (flute/piccolo), Rane Moore (clarinets), Adam Cruz (steel pan/claves), Alex Lipowksi (percussions), Matthew Gold (marimba/ xilophone), Mauricio Herrera (ekón/nkonos/erikundi/claves), Thomas Morgan (bass),...
Although formalist in concept and often episodic in execution, Virelles’ kaleidoscopic vision allows us to view Afro-Cuban jazz from a fresh perspective, an approach that promises much for the...
Gnosis
David Virelles (piano/marimbula/voice), Román Díaz (voice/percussions), Allison Loggins-Hull (flute/piccolo), Rane Moore (clarinets), Adam Cruz (steel pan/claves), Alex Lipowksi (percussions), Matthew Gold (marimba/ xilophone), Mauricio Herrera (ekón/nkonos/erikundi/claves), Thomas Morgan (bass),...
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Although formalist in concept and often episodic in execution, Virelles’ kaleidoscopic vision allows us to view Afro-Cuban jazz from a fresh perspective, an approach that promises much for the...
About
In this vivid and exciting project, the Santiago-raised and New York-based pianist-composer David Virelles looks towards one melting pot from the vantage point of another. A far-reaching work with deep cultural roots, Gnosis speaks of transculturation and traditions, and of the complex tapestry of Cuba’s music – the sacred, the secular, and the ritualistic – but the work’s shapes and forms could only have been created by a gifted contemporary player thoroughly versed in the art of the improvisers. Strings, woodwinds and percussion all have their roles to play in Gnosis, viewed by Virelles as “several families functioning within one unit: this dynamic symbolizes multicultural interaction.” Virelles’ responsive piano and the vocals and percussion of Román Díaz, a profound figure in the transmission of Afro-Cuban musical history, are at the centre of the action. Gnosis was recorded at New York’s Avatar Studios in May 2016 and produced by Manfred Eicher.
Artists
David Virelles (piano/marimbula/voice), Román Díaz (voice/percussions), Allison Loggins-Hull (flute/piccolo), Rane Moore (clarinets), Adam Cruz (steel pan/claves), Alex Lipowksi (percussions), Matthew Gold (marimba/ xilophone), Mauricio Herrera (ekón/nkonos/erikundi/claves), Thomas Morgan (bass), Yunior Lopez (viola), Christine Chen, Samuel DeCaprio (cello), Melvis Santa, Mauricio Herrera (voice)
Contents and tracklist
Del tabaco y el Azúcar
Fitití Nongo
Lengua I
Erume Kondó
Benkomo
Tierra
De Ida y Vuelta I
Lengua II
De Ida y Vuelta II
Nuná
Epílogo
Dos
Caracola
Visiones
Sonoras
De Portal
De Tres
De Cuando Era Chiquita
De Coral
Awards and reviews
October 2017
Although formalist in concept and often episodic in execution, Virelles’ kaleidoscopic vision allows us to view Afro-Cuban jazz from a fresh perspective, an approach that promises much for the future, as much through his compositions as his improvisational wisdom, already so mature for a Generation Y jazz musician.
December 2017
To Cuban-born, New York-based pianist David Virelles, “gnosis” refers to “an ancient collective reservoir of knowledge.” Gnosis, his fourth album as a leader—featuring poet-percussionist Román Diaz as spiritual collaborator—draws on everything from improvisational sound-painting to punctilious solo piano improvisations, contemporary chamber music, 20th-century Romantic composition and a solo piano arrangement by 2016 Pulitzer Prize winning composer Henry Threadgill.