Tord Gustavson's subtle piano grooves continue to demonstrate his gently provocative approach, artfully juxtaposing elasticated treatments of Bach and a few traditional tunes with a selection of the pianist's originals.

The playing is spare and highly sensual, the approach being derived from the blues and gospel traditions. The results are deeply romantic and sweetly hypnotic.

When Christians advanced on Norway during the 11th century, churches were built atop places where pagans formerly had prayed, sealing over the past. On The Other Side, Tord Gustavsen’s first album with a trio in more than a decade, the pianist and composer explores the church music of his childhood alongside Norway’s ancient folk strains. It finds contrast, as well as communion, between these seemingly opposed traditions.

The trio’s ability to capture doubt, joy and anxiety with a few notes is breathtaking. And “The Other Side” feels like a joyful hymn, as it glides through a seraphic melody, abruptly finishing on a minor chord. The last notes resonate, then fade gradually, almost imperceptibly.