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Collagically Speaking

R+R=NOW

Collagically Speaking

Awards:

The core group is so hip it hurts, Christian Scott aTunde Adujah on trumpet and Derrick Hodge on bass working with a string synth element to create a kaleidoscopic collage of groove based sound.

Collagically Speaking

R+R=NOW

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Awards:

The core group is so hip it hurts, Christian Scott aTunde Adujah on trumpet and Derrick Hodge on bass working with a string synth element to create a kaleidoscopic collage of groove based sound.

About

R+R=NOW is a collective of like-minded boundary-breakers featuring Robert Glasper, Terrace Martin, Christian Scott, Tunde Adjuah, Derrick Hodge, Taylor McFerrin & Justin Tyson. The “R+R” in the band’s name stands for Reflect+Respond, and was inspired by Nina Simone who said an artist's duty is to reflect the times. With Collagically Speaking the band presents an urgent musical hybrid that is distinctly of the now. As Glasper says, R+R=NOW tells “our story from our point of view… It’s a very honest, fluid sound that rings of hip-hop, EDM, jazz, at times – hell – reggae... a bunch of cats that respect each other so much that we always pass the ball.” The album features guest spots by Omari Hardwick, Terry Crews, Stalley, Amanda Seales, Amber Navran, Goapele, Jahi Sundance and yasiin bey.

Contents and tracklist

Awards and reviews

  • Rolling Stone
    Best Jazz Albums of All Time

September 2018

The core group is so hip it hurts, Christian Scott aTunde Adujah on trumpet and Derrick Hodge on bass working with a string synth element to create a kaleidoscopic collage of groove based sound.

September 2018

Eleven tracks show that the ensemble can do radio-friendly brevity as well as more epic tapestry, and a very up-to-date fusion sound, with the base elements that have informed the work of all the bandmembers in their careers to date ... is discernible.

September 2018

The stylistic range and reach of the compositions here move easily through themes of love and empowerment, acceptance and loss, though the pointed lyrical jabs and musical left hooks characteristic of Simone largely are absent. The titles of the pieces don’t reflect the imagination, ambition or the depth of creativity of this collaborative display.
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