Timeless
John Abercrombie (guitar), Jan Hammer (organ/synthesizer/piano), Jack DeJohnette (drums)
Awards:
-
Presto Music, Classic Jazz Recording
Appropriately enough it is the closing title track that leaves the deepest impression of Abercrombie’s talents as both a composer and performer. Atop a swirling organ drone he enters with a...
Timeless
John Abercrombie (guitar), Jan Hammer (organ/synthesizer/piano), Jack DeJohnette (drums)
Purchase product
Awards:
-
Presto Music, Classic Jazz Recording
Appropriately enough it is the closing title track that leaves the deepest impression of Abercrombie’s talents as both a composer and performer. Atop a swirling organ drone he enters with a...
About
John Abercrombie’s ECM debut Timeless (recorded 1974) has proven to be exactly that. This fiery session with Jack DeJohnette and Jan Hammer still sounds as fresh as the year it was released. “Timeless comes as a major surprise in terms of its depth, scope and inventiveness,” wrote Tim Buckley’s guitarist Lee Underwood in the L.A. Free Press. "[It] indicates that John Abercrombie is a major musical voice of tomorrow.”
Contents and tracklist
- John Abercrombie (guitar), Jack DeJohnette (drums), Jan Hammer (organ)
- Recorded: 1974-06-30
- Recording Venue: Generation Sound, New York City
- John Abercrombie (guitar), Jack DeJohnette (drums), Jan Hammer (organ)
- Recorded: 1974-06-30
- Recording Venue: Generation Sound, New York City
- John Abercrombie (guitar), Jack DeJohnette (drums), Jan Hammer (organ)
- Recorded: 1974-06-30
- Recording Venue: Generation Sound, New York City
- John Abercrombie (guitar), Jack DeJohnette (drums), Jan Hammer (organ)
- Recorded: 1974-06-30
- Recording Venue: Generation Sound, New York City
- John Abercrombie (guitar), Jack DeJohnette (drums), Jan Hammer (organ)
- Recorded: 1974-06-30
- Recording Venue: Generation Sound, New York City
- John Abercrombie (guitar), Jan Hammer (organ), Jack DeJohnette (drums)
- Recorded: 1974-06-30
- Recording Venue: Generation Sound, New York City
Spotlight on this release
Awards and reviews
-
Presto MusicClassic Jazz Recording
Appropriately enough it is the closing title track that leaves the deepest impression of Abercrombie’s talents as both a composer and performer. Atop a swirling organ drone he enters with a series of mysterious volume swells (a technique whereby the electric guitar’s volume knob is turned down whilst the fingers or plectrum strike the strings, so that just the decay of the notes is heard), slowly building up a gorgeous series of solos.
