Hubbard
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Red Clay (CTI Records 40th Anniversary Edition)
Freddie Hubbard (trumpet), Joe Henderson (saxophone), Ron Carter (bass), Lenny White (drums), Herbie Hancock (piano), Johnny Hammond (piano), Stanley Turrentine (tenor saxophone), Johnny Hammond (organ), Billy Cobham (drums), George Benson (guitar), Airto Moreira (percussion)
Awards:
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Jazz 100, Top 100 Jazz Albums, Top 100 (Pre-1980)
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1,000 Recordings to Hear Before You Die, Jazz Recommendation
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Open Sesame
RecommendedFreddie Hubbard (trumpet), McCoy Tyner (piano), Clifford Javis (drums), Sam Jones (bass), Tina Brooks (tenor saxophone)
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Penguin Guide to Jazz, Core Collection
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The New Yorker, Top 100 Jazz Albums
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Hayes’ grooves on Crisis are solid yet completely unforced, and he kicks up plenty of magic dust throughout via the well-placed crashes, bombs, tom-rolls and snare cracks that have marked his... —
Awards:
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Downbeat, Editor's Pick, November 2021
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Straight Life
Freddie Hubbard (fluegelhorn), Weldon Irvine (tambourine), Richie Landrum (percussion), Joe Henderson (tenor saxophone), Herbie Hancock (piano), George Benson (guitar), Ron Carter (bass), Jack DeJohnette (drums), Freddie Hubbard (trumpet)
Awards:
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Jazz 100, Top 100 Jazz Albums, Next 100 (Pre-1980)
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1,000 Recordings to Hear Before You Die, Jazz Recommendation
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The Herbie Hancock Box
RecommendedHerbie Hancock (piano), Wayne Shorter (tenor saxophone), Freddie Hubbard (trumpet), Ron Carter (bass), Tony Williams (drums), Wynton Marsalis (trumpet), The V.S.O.P. Quintet, Bobby McFerrin (vocal), Chick Corea (piano), Herbie Hancock & Chick Corea, Herbie Hancock (keyboards), Dr. Patrick Gleeson...
Awards:
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Penguin Guide to Jazz, 4 Star
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Blue Break Beats - 50 Of The Best
Richard "Groove" Holmes (organ), Ray Armando (congas), Darryl Washington (drumkit), Weldon Irvine (piano), Gerald Hubbard (guitar), Jerry Jemmott (electricbassguitar), Lou Donaldson (altosaxophone, saxophone), Eddie Williams (trumpet), Melvin Sparks (guitar), Charles Earland (organ), Leo Morris (drumkit),...
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In all, a credit to both musicians. There's an occasionally ragged, experimental quality in the numbers, but that's what jazz is for, and the album's authenticity is unmistakeable. —
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