Gershwin - I Got Rhythm
Genre:
Musicals
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Rhapsody
RecommendedMartin James Bartlett (piano), London Philharmonic Orchestra, Joshua Weilerstein
It’s a joyful display, full of warmth, character and the singing tone that Bartlett has come to be known for... The emphasis is on spontaneity rather than virtuosity for its own sake, with an... —
Awards:
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Gramophone Magazine, April 2022, Editor's Choice
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Presto Recordings of the Year, Finalist 2022
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Essential George Gershwin
RecommendedGeorge Gershwin (piano), Ethel Waters (vocal), Tommy Dorsey (trombone), Mannie Klein (trumpet), Ben Selvin (violin), Jimmy Dorsey (clarinet), Buck & Bubbles, Buck Washington (vocal, piano), John "Bubbles" Sublett (vocal), Joe Bushkin (piano), Artie Shaw (clarinet), Bunny Berigan (trumpet), Cozy...
Awards:
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Grammy Awards, 19th Awards (1976), Best Engineered Album, Classical
Purchase product
2 CDs
$11.75 -
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The Gershwin Moment
RecommendedKirill Gerstein (piano), Storm Large (vocals), Gary Burton (vibraphone)
St. Louis Symphony Orchestra, David Robertson
What [Gerstein] serves up here is living, breathing Gershwin that doesn’t shy from improvisation and yet retains all the crystal clarity and architectural cohesion of his interpretations of... —
Awards:
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Gramophone Magazine, March 2018, Editor's Choice
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Presto Editor's Choice, February 2018
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Presto Recordings of the Year, Finalist 2018
Purchase product
Downloads
Audio formats guide -
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Awards:
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International Classical Music Awards, 2019, Nominee - Vocal
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Awards:
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International Classical Music Awards, 2022, Nominated - Chamber Music
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Somehow, Booth pivots effortlessly from one character and style to another while inhabiting each one with its own presence and conviction. Coleman's razor-sharp responses on piano (in addition... —
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Herrmann, Gershwin, Waxman & Copland
American chamber music
Richard Hosford (clarinet), Marianne Thorsen (violin), Laura Samuel (violin), Lawrence Power (viola), Rebecca Gilliver (cello), Ian Brown (piano)
The Nash Ensemble
The Nash Ensemble’s adroit playing tug at the heart-strings. —
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Bliss may not command the same star attraction as Goodman once did but his ability to bring out the very best in his ensemble makes the performances on this album just as timeless as the music... —
