Brahms - Geistliches Lied, Op. 30
Genre:
Choral
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Brahms & Bruckner: Motets
RecommendedMark Templeton (trombone), Helen Vollam (trombone), Patrick Jackman (trombone), Alexander Mason (organ)
Tenebrae, Nigel Short
Nigel Short and Tenebrae have come up with a beautifully balanced and contrasted programme…The beauty of sound and dignified expression of intensity that Tenebrae create in the opening of the... —
Awards:
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BBC Music Magazine, Disc of the month
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Presto Recordings of the Year, Finalist 2015
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BBC Music Magazine Awards, 2016, Choral Winner
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Building a Library, December 2017, First Choice
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Building a Library, December 2017, First Choice
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Brahms & Rheinberger - Masses & Motets
The Choir of Westminster Cathedral, Martin Baker (The Master of Music)
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A must for any serious collector —
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CD
Original price ($12.50) Reduced price $6.25Maximum 1 purchase per customerClearance prices not guaranteed until checkout is completed -
Septura has managed to plug the void most effectively with this superbly played and warmly engineered debut disc of imaginatively conceived arrangements. Unsurprisingly, some of the richest... —
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Brahms Choral Works
Stuttgart Chamber Choir, Wind of The German Chamber Philharmonic, Frieder Bernius
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Brahms: Symphony No. 4
Recorded live at Royal Festival Hall, London, 5-8 October 2008
The Monteverdi Choir & Orchestre Révolutionnaire et Romantique, John Eliot Gardiner
everything seems in focus: not just the tempo, but also the rhythmic drive and urgency seem absolutely right in the third and fourth movements...This performance gives a lively sense of what... —
Awards:
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Gramophone Magazine, November 2010, Editor's Choice
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Brahms: Choral Works
Rundfunkchor Berlin, Deutsches Symphonie-Orchester Berlin, Antonio Adriani (horn), Elsie Bedleem (harp)
Gijs Leenaars
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Be Still, My Soul
Craig Phillips (organ), Sarah Parga (soprano), Jay Tuttle (baritone), Brian Driscoll (organ), Pip Clarke (violin), Michael Lichtenauer (tenor)
Beverly Hills All Saints' Church Choir, Dale Adelmann
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Downloads
Audio formats guide -
This recording is a real gem…the performance is always delicate but
nonetheless abounding in richness —