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Schubert: Schwanengesang & String Quintet
RecommendedJulian Prégardien, Martin Helmchen, Christian Tetzlaff, Florian Donderer, Rachel Roberts, Tanja Tetzlaff, Marie-Elisabeth Hecker
There is much to enjoy in this highly perfumed Schubert disc…Prégardien’s relatively light tenor makes the most of the intimacy to which these brief masterpieces are well suited…At the piano,... —
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Diapason d’Or, November 2021, Nouveauté
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Building A Library, March 2022, Also Recommended
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Special offer. Schubert: Der Einsame
RecommendedIlker Arcayürek & Simon Lepper, Simon Lepper, Ilker Arcayürek
Arcayürek is a young Turk, light of voice, but not in the English tenor mode…On the one hand, I am relieved to hear a singer who doesn’t go in for elaborate interpretation…On the other, I found,... —
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Gramophone Magazine, Awards Issue 2017, Editor's Choice
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Presto Recordings of the Year, Finalist 2017
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Death and the Maiden [is] a work that tends to overpower everything in its immediate vicinity. That it doesn’t is due in part to the Signum’s ensemble sound: passionate, often brilliant, but... —
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Schubertiade: Julian Prégardien
Julian Prégardien (tenor & recitation), Marc Hantaï (transverse flute), Philippe Pierlot (baryton) & Xavier Diaz-Latorre (guitar)
a captivating and most artfully programmed recital in which Pregardien’s tenor is lightly suspended over a guitar’s gentle strumming —
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International Classical Music Awards, 2017, Winner - Vocal Recital
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Lotte Lehmann – A 125th Birthday Tribute (Live)
Lotte Lehmann (soprano), Ernö Balogh (piano), Paul Ulanowsky (piano), Bruno Walter (narrator), Bruno Walter (piano), Lotte Lehmann (reader), Lotte Lehmann (narrator)
NBC Symphony Orchestra, NBC Symphony Chorus, RCA Victor Chamber Orchestra, Frank Black, Nathaniel Shilkret, Richard Lert
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Gramophone Magazine, June 2014, Re-issue of the Month
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This is one of the most taxing Schubert programmes ever assembled, and Trost is sensational throughout, conjuring up a unique emotionial or narrative world for each song by means of vocal or... —
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The most beautiful soprano voice to emerge in the last decade shows us how affectingly she can scale down from Verdi and lighter Wagner. From Haydn's little prayer, its introduction telling... —
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…far from being depressing, the programming here, both thoughtful and vividly imaginative, serves to stimulate the senses and lift the spirit. A fresh and unmannered introductory performance... —
